A Magnificent Haunting
2012 · 105 min · Director: Ferzan Özpetek
Show plot summary (may contain spoilers)
The only dream of Pietro is to become a famous actor. 28 year-old Pietro is so obsessed with becoming an actor that he does not mind trying every single way. He comes Rome and starts to work in a bakery. Also, at the same time, he tries to be an actor. At first, he stays with his cousin, Maria , but then he rents a house. Nevertheless, in a short time, something weird happens at the house. As if the furniture moves by itself. Then he realizes that the house was haunted by some ghosts, so with it, the adventure itself begins.
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Emotional fingerprint
A Magnificent Haunting (2012) — Movie. Top emotional signals: Humor 35%, Love 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Love25%
- Joy20%
- Sadness10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Joy. Genres: Comedy, Drama, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Joy. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 38 % | 18 % | 8 % | 3 % |
| 7.5 % | ≈ 8′ | Humor | 39 % | 16 % | 19 % | 13 % |
| 12.5 % | ≈ 13′ | Humor | 46 % | 24 % | 29 % | 18 % |
| 17.5 % | ≈ 18′ | Curiosity | 50 % | 38 % | 24 % | 9 % |
| 22.5 % | ≈ 24′ | Curiosity | 48 % | 34 % | 26 % | 15 % |
| 27.5 % | ≈ 29′ | Sadness | 51 % | 29 % | 39 % | 28 % |
| 32.5 % | ≈ 34′ | Curiosity | 54 % | 44 % | 35 % | 18 % |
| 37.5 % | ≈ 39′ | Curiosity | 55 % | 53 % | 34 % | 16 % |
| 42.5 % | ≈ 45′ | Empathy | 55 % | 43 % | 39 % | 26 % |
| 47.5 % | ≈ 50′ | Humor | 49 % | 34 % | 34 % | 25 % |
| 52.5 % | ≈ 55′ | Empathy | 48 % | 31 % | 36 % | 21 % |
| 57.5 % | ≈ 60′ | Humor | 49 % | 29 % | 41 % | 19 % |
| 62.5 % | ≈ 66′ | Empathy | 46 % | 34 % | 35 % | 18 % |
| 67.5 % | ≈ 71′ | Curiosity | 49 % | 38 % | 35 % | 21 % |
| 72.5 % | ≈ 76′ | Empathy | 59 % | 39 % | 50 % | 39 % |
| 77.5 % | ≈ 81′ | Sadness | 66 % | 53 % | 59 % | 50 % |
| 82.5 % | ≈ 87′ | Curiosity | 69 % | 61 % | 59 % | 46 % |
| 87.5 % | ≈ 92′ | Empathy | 71 % | 54 % | 63 % | 50 % |
| 92.5 % | ≈ 97′ | Empathy | 70 % | 43 % | 63 % | 53 % |
| 97.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Ambrogio Dardini
Livia Morosini
Ennio
Badessa
Details
- Directed by
- Ferzan Özpetek
- Written by
- Ferzan Özpetek, Federica Pontremoli
- Type
- Movies
- Released
- 2012
- Runtime
- 105 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





