Every Blessed Day
2012 · 102 min · Director: Paolo Virzì
Show plot summary (may contain spoilers)
Guido and Antonia are a young couple with opposing characters and working schedules: he works a night job as a doorman in a hotel, and she works as an employee for a rental car service. This is the story of what happens to Guido and Antonia when they decide to have a child.
Emotional fingerprint
Every Blessed Day (2012) — Movie. Top emotional signals: Humor 30%, Love 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Empathy20%
- Sadness15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Empathy. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Empathy. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Sadness
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Sadness | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 38 % | 22 % | 2 % | 12 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 18 % | 10 % | 8 % |
| 12.5 % | ≈ 13′ | Sadness | 40 % | 15 % | 18 % | 8 % |
| 17.5 % | ≈ 18′ | Humor | 36 % | 20 % | 11 % | 13 % |
| 22.5 % | ≈ 23′ | Love | 37 % | 29 % | 9 % | 19 % |
| 27.5 % | ≈ 28′ | Hope | 44 % | 30 % | 19 % | 25 % |
| 32.5 % | ≈ 33′ | Humor | 50 % | 24 % | 25 % | 24 % |
| 37.5 % | ≈ 38′ | Tension | 56 % | 26 % | 32 % | 20 % |
| 42.5 % | ≈ 43′ | Sadness | 58 % | 36 % | 39 % | 26 % |
| 47.5 % | ≈ 48′ | Hope | 51 % | 30 % | 27 % | 35 % |
| 52.5 % | ≈ 54′ | Hope | 54 % | 23 % | 15 % | 44 % |
| 57.5 % | ≈ 59′ | Hope | 63 % | 34 % | 10 % | 55 % |
| 62.5 % | ≈ 64′ | Hope | 63 % | 39 % | 16 % | 48 % |
| 67.5 % | ≈ 69′ | Tension | 66 % | 29 % | 43 % | 23 % |
| 72.5 % | ≈ 74′ | Sadness | 74 % | 23 % | 64 % | 9 % |
| 77.5 % | ≈ 79′ | Sadness | 70 % | 25 % | 63 % | 10 % |
| 82.5 % | ≈ 84′ | Sadness | 61 % | 33 % | 53 % | 20 % |
| 87.5 % | ≈ 89′ | Love | 59 % | 46 % | 35 % | 38 % |
| 92.5 % | ≈ 94′ | Love | 64 % | 59 % | 15 % | 46 % |
| 97.5 % | ≈ 99′ | Love | 67 % | 62 % | 7 % | 42 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Every Blessed Day. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Marcello Caiozzi
Ginecologa
Professor Savarese
Jimmy
Rosetta Cusumano
Donatella Caselli
Lorenzo Caselli
Duccio
Miscèl
Guidino
Costanza
Cliente asiatico
Rossella, receptionist
Luciano, altro receptionist
Details
- Directed by
- Paolo Virzì
- Written by
- Paolo Virzì, Francesco Bruni, Simone Lenzi
- Type
- Movies
- Released
- 2012
- Runtime
- 102 min
- Country
- Italy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
