The Notebook
2013 · 112 min · Director: János Szász
Show plot summary (may contain spoilers)
The Nazis have invaded Hungary and war is raging in the main cities. To avoid it, a woman leaves her thirteen-year-old twin boys at their grandmother's place in the countryside. The children don't know their grandmother, a dirty, miserly, and mean old woman who barely allows them inside the house. Left to their own devices, the two children learn to cope with hunger, the cold, and the everyday cruelty in a devastated country. To protect themselves, the twins reject all moral codes and values and instead take their lessons from the evil around them in order to try to survive. The siblings studiously note, as objectively as possible, their discoveries and their burgeoning knowledge in a notebook.
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Emotional fingerprint
The Notebook (2013) — Movie. Top emotional signals: Sadness 35%, Love 25%, Melancholy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Love25%
- Melancholy20%
- Empathy15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Love, Melancholy. Genres: Drama, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Love and Melancholy. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 69 % | 66 % | 62 % | 24 % |
| 7.5 % | ≈ 8′ | Sympathy | 69 % | 67 % | 59 % | 35 % |
| 12.5 % | ≈ 14′ | Sympathy | 69 % | 66 % | 53 % | 47 % |
| 17.5 % | ≈ 20′ | Sympathy | 71 % | 65 % | 49 % | 59 % |
| 22.5 % | ≈ 25′ | Tension | 73 % | 65 % | 51 % | 58 % |
| 27.5 % | ≈ 31′ | Sympathy | 76 % | 72 % | 62 % | 56 % |
| 32.5 % | ≈ 36′ | Sympathy | 80 % | 74 % | 70 % | 67 % |
| 37.5 % | ≈ 42′ | Disturbing | 83 % | 72 % | 67 % | 79 % |
| 42.5 % | ≈ 48′ | Disturbing | 78 % | 69 % | 53 % | 74 % |
| 47.5 % | ≈ 53′ | Sympathy | 74 % | 68 % | 48 % | 67 % |
| 52.5 % | ≈ 59′ | Disturbing | 85 % | 76 % | 62 % | 81 % |
| 57.5 % | ≈ 64′ | Disturbing | 90 % | 79 % | 72 % | 83 % |
| 62.5 % | ≈ 70′ | Sympathy | 86 % | 79 % | 74 % | 74 % |
| 67.5 % | ≈ 76′ | Disturbing | 88 % | 81 % | 80 % | 78 % |
| 72.5 % | ≈ 81′ | Sadness | 91 % | 84 % | 86 % | 76 % |
| 77.5 % | ≈ 87′ | Sadness | 90 % | 84 % | 86 % | 72 % |
| 82.5 % | ≈ 92′ | Sadness | 89 % | 78 % | 80 % | 77 % |
| 87.5 % | ≈ 98′ | Tension | 89 % | 73 % | 75 % | 79 % |
| 92.5 % | ≈ 104′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 109′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Harelip
Deacon
Szolgálólány
Details
- Directed by
- János Szász
- Written by
- Tom Abrams, János Szász, Agota Kristof, András Szekér
- Type
- Movies
- Released
- 2013
- Runtime
- 112 min
- Country
- Hungary, Germany, Austria, France
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




