Jobs
2013 · 129 min · Director: Joshua Michael Stern
Show plot summary (may contain spoilers)
The film opens in 2001 with a middle-aged Steve Jobs (Ashton Kutcher) introducing the iPod at an Apple Town Hall meeting.[6] It then flashes back to Reed College in 1974. Jobs had already dropped out due to the high expense of tuition, but was still attending classes with the approval of Dean Jack Dudman (James Woods) who took him under his wing. Jobs is particularly interested in a course on calligraphy. He meets up with his friend Daniel Kottke (Lukas Haas) who is excited to see that Jobs is holding a copy of Be Here Now by Baba Ram Dass. Influenced by this book and his experiences with LSD, Jobs and Kottke spend time in India. Two years later, Jobs is back in Los Altos, California living at home with his adoptive parents Paul (John Getz) and Clara (Lesley Ann Warren). He is working for Atari and develops a partnership with his friend Steve Wozniak (Josh Gad) after he sees that Wozniak has built a personal computer (the Apple I). They name their new company Apple Computer, though there already is a company called Apple Records that is owned by The Beatles (Wozniak then teases Jobs that this is symbolic of his preference for Bob Dylan). Wozniak gives a demonstration of the Apple I at the Homebrew Computer Club. Jobs is later approached by Paul Terrell (Brad William Henke) who shows interest in the Apple I. Knowing that he and Wozniak will need a studio in which to build them, Jobs convinces his father Paul to allow them to use the family garage (set up as a carpentry/tool center) for his new company. Realizing that they cannot build these computers alone, Jobs also recruits Kottke, Bill Fernandez (Victor Rasuk), and Chris Espinosa (Eddie Hassell) to the Apple team..
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Emotional fingerprint
Jobs (2013) — Movie. Top emotional signals: Inspiration 30%, Satisfaction 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Inspiration30%
- Satisfaction25%
- Anxiety20%
- Curiosity15%
- Nostalgia10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Inspiration, Satisfaction, Anxiety. Genres: Drama, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Inspiration, Satisfaction and Anxiety. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Inspiration
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Curiosity
Dominant emotion: Inspiration
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Inspiration | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 51 % | 12 % | 35 % | 42 % |
| 7.5 % | ≈ 10′ | Curiosity | 46 % | 18 % | 33 % | 41 % |
| 12.5 % | ≈ 16′ | Curiosity | 44 % | 20 % | 31 % | 44 % |
| 17.5 % | ≈ 23′ | Curiosity | 44 % | 21 % | 30 % | 40 % |
| 22.5 % | ≈ 29′ | Inspiration | 43 % | 24 % | 30 % | 34 % |
| 27.5 % | ≈ 35′ | Curiosity | 46 % | 30 % | 25 % | 31 % |
| 32.5 % | ≈ 42′ | Sadness | 54 % | 35 % | 28 % | 29 % |
| 37.5 % | ≈ 48′ | Inspiration | 59 % | 40 % | 30 % | 26 % |
| 42.5 % | ≈ 55′ | Tension | 61 % | 50 % | 15 % | 23 % |
| 47.5 % | ≈ 61′ | Sadness | 56 % | 46 % | 13 % | 25 % |
| 52.5 % | ≈ 68′ | Curiosity | 50 % | 33 % | 32 % | 33 % |
| 57.5 % | ≈ 74′ | Inspiration | 55 % | 36 % | 43 % | 30 % |
| 62.5 % | ≈ 81′ | Tension | 61 % | 51 % | 26 % | 21 % |
| 67.5 % | ≈ 87′ | Sadness | 66 % | 61 % | 8 % | 18 % |
| 72.5 % | ≈ 94′ | Tension | 64 % | 57 % | 4 % | 21 % |
| 77.5 % | ≈ 100′ | Sadness | 53 % | 44 % | 11 % | 29 % |
| 82.5 % | ≈ 106′ | Tension | 50 % | 44 % | 25 % | 33 % |
| 87.5 % | ≈ 113′ | Tension | 57 % | 46 % | 43 % | 27 % |
| 92.5 % | ≈ 119′ | Inspiration | 62 % | 40 % | 57 % | 20 % |
| 97.5 % | ≈ 126′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Laurene Powell Jobs
Lisa Jobs
Details
- Directed by
- Joshua Michael Stern
- Written by
- Matt Whiteley
- Type
- Movies
- Released
- 2013
- Runtime
- 129 min
- Country
- United States, Switzerland
- Ratings
- Feels mostly
- Inspiration
- Data updated
Where to watch
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Free
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