Thelma
2024 · 98 min · Director: Josh Margolin
Show plot summary (may contain spoilers)
When 93-year-old Thelma Post gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her.
Emotional fingerprint
Thelma (2024) — Movie. Top emotional signals: Anxiety 30%, Curiosity 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Curiosity, Tension. Genres: Comedy, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Curiosity and Tension. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Empathy
- Relief
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Relief | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 43 % | 28 % | 0 % | 18 % |
| 7.5 % | ≈ 7′ | Tension | 49 % | 36 % | 4 % | 33 % |
| 12.5 % | ≈ 12′ | Empathy | 56 % | 50 % | 9 % | 35 % |
| 17.5 % | ≈ 17′ | Empathy | 59 % | 55 % | 8 % | 24 % |
| 22.5 % | ≈ 22′ | Sadness | 53 % | 41 % | 4 % | 15 % |
| 27.5 % | ≈ 27′ | Humor | 48 % | 26 % | 1 % | 20 % |
| 32.5 % | ≈ 32′ | Humor | 48 % | 24 % | 0 % | 31 % |
| 37.5 % | ≈ 37′ | Humor | 46 % | 29 % | 1 % | 31 % |
| 42.5 % | ≈ 42′ | Humor | 46 % | 38 % | 4 % | 29 % |
| 47.5 % | ≈ 47′ | Empathy | 50 % | 43 % | 5 % | 36 % |
| 52.5 % | ≈ 51′ | Tension | 56 % | 48 % | 6 % | 44 % |
| 57.5 % | ≈ 56′ | Empathy | 65 % | 61 % | 10 % | 36 % |
| 62.5 % | ≈ 61′ | Sadness | 65 % | 63 % | 15 % | 24 % |
| 67.5 % | ≈ 66′ | Humor | 57 % | 46 % | 14 % | 31 % |
| 72.5 % | ≈ 71′ | Tension | 63 % | 39 % | 8 % | 55 % |
| 77.5 % | ≈ 76′ | Tension | 71 % | 40 % | 14 % | 68 % |
| 82.5 % | ≈ 81′ | Tension | 73 % | 41 % | 39 % | 55 % |
| 87.5 % | ≈ 86′ | Relief | 70 % | 46 % | 58 % | 29 % |
| 92.5 % | ≈ 91′ | Relief | 61 % | 43 % | 44 % | 9 % |
| 97.5 % | ≈ 96′ | Humor | 53 % | 28 % | 22 % | 2 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Woman at Post Office
Detective Morgan
Dancer
Gloria ("Annie")
Theater Director
Starey Gary
Colin
Mona
Woman at Gas Station
Lois
Details
- Directed by
- Josh Margolin
- Written by
- Josh Margolin
- Type
- Movies
- Released
- 2024
- Runtime
- 98 min
- Country
- Switzerland, United States
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Subscription
Rent
Data: JustWatch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
