Keeping Up with the Joneses
2016 · 105 min · Director: Greg Mottola
Show plot summary (may contain spoilers)
A suburban couple becomes embroiled in an international espionage plot when they discover that their seemingly perfect new neighbors are government spies.
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Emotional fingerprint
Keeping Up with the Joneses (2016) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Surprise 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Excitement25%
- Surprise15%
- Tension15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Excitement, Surprise. Genres: Comedy, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Excitement and Surprise. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Tension
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Tension | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 40 % | 37 % | 10 % | 15 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 40 % | 11 % | 19 % |
| 12.5 % | ≈ 13′ | Humor | 45 % | 44 % | 18 % | 29 % |
| 17.5 % | ≈ 18′ | Humor | 48 % | 44 % | 25 % | 38 % |
| 22.5 % | ≈ 24′ | Humor | 48 % | 43 % | 28 % | 38 % |
| 27.5 % | ≈ 29′ | Humor | 48 % | 43 % | 28 % | 33 % |
| 32.5 % | ≈ 34′ | Humor | 49 % | 44 % | 28 % | 31 % |
| 37.5 % | ≈ 39′ | Humor | 54 % | 45 % | 35 % | 39 % |
| 42.5 % | ≈ 45′ | Curiosity | 56 % | 43 % | 46 % | 48 % |
| 47.5 % | ≈ 50′ | Curiosity | 59 % | 41 % | 54 % | 45 % |
| 52.5 % | ≈ 55′ | Tension | 70 % | 45 % | 65 % | 36 % |
| 57.5 % | ≈ 60′ | Tension | 71 % | 48 % | 65 % | 30 % |
| 62.5 % | ≈ 66′ | Humor | 60 % | 48 % | 51 % | 31 % |
| 67.5 % | ≈ 71′ | Humor | 56 % | 45 % | 46 % | 38 % |
| 72.5 % | ≈ 76′ | Tension | 58 % | 41 % | 49 % | 39 % |
| 77.5 % | ≈ 81′ | Tension | 61 % | 43 % | 55 % | 38 % |
| 82.5 % | ≈ 87′ | Tension | 70 % | 48 % | 65 % | 33 % |
| 87.5 % | ≈ 92′ | Tension | 70 % | 50 % | 63 % | 24 % |
| 92.5 % | ≈ 97′ | Humor | 55 % | 36 % | 36 % | 15 % |
| 97.5 % | ≈ 102′ | Love | 43 % | 15 % | 12 % | 7 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Scorpion's Girlfriend
Sanjay
Patrick Gaffney
Mikey Gaffney
Oren
Bernie
Mrs. Lu
Mr. Lu
Margaret
Dhameer
Cool Man
Details
- Directed by
- Greg Mottola
- Written by
- Michael LeSieur
- Type
- Movies
- Released
- 2016
- Runtime
- 105 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





