Mothers and Daughters
2016 · 90 min · Director: Paul Duddridge, Nigel Levy
Show plot summary (may contain spoilers)
Interwoven stories of what it is to be a mom seen through the lens of photographer Rigby Gray.
Emotional fingerprint
Mothers and Daughters (2016) — Movie. Top emotional signals: Empathy 35%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 4.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Empathy
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Empathy | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 37 % | 25 % | 23 % | 20 % |
| 7.5 % | ≈ 7′ | Hope | 38 % | 20 % | 20 % | 28 % |
| 12.5 % | ≈ 11′ | Hope | 36 % | 18 % | 20 % | 28 % |
| 17.5 % | ≈ 16′ | Empathy | 39 % | 16 % | 29 % | 21 % |
| 22.5 % | ≈ 20′ | Empathy | 54 % | 19 % | 46 % | 21 % |
| 27.5 % | ≈ 25′ | Sadness | 65 % | 21 % | 57 % | 18 % |
| 32.5 % | ≈ 29′ | Tension | 60 % | 18 % | 53 % | 16 % |
| 37.5 % | ≈ 34′ | Empathy | 60 % | 26 % | 55 % | 25 % |
| 42.5 % | ≈ 38′ | Empathy | 65 % | 44 % | 63 % | 30 % |
| 47.5 % | ≈ 43′ | Empathy | 65 % | 53 % | 61 % | 32 % |
| 52.5 % | ≈ 47′ | Love | 66 % | 57 % | 63 % | 40 % |
| 57.5 % | ≈ 52′ | Empathy | 66 % | 48 % | 63 % | 39 % |
| 62.5 % | ≈ 56′ | Tension | 65 % | 33 % | 60 % | 33 % |
| 67.5 % | ≈ 61′ | Empathy | 59 % | 31 % | 54 % | 34 % |
| 72.5 % | ≈ 65′ | Tension | 56 % | 33 % | 50 % | 38 % |
| 77.5 % | ≈ 70′ | Empathy | 64 % | 33 % | 55 % | 48 % |
| 82.5 % | ≈ 74′ | Hope | 68 % | 40 % | 56 % | 56 % |
| 87.5 % | ≈ 79′ | Love | 75 % | 64 % | 63 % | 61 % |
| 92.5 % | ≈ 83′ | Love | 84 % | 81 % | 70 % | 68 % |
| 97.5 % | ≈ 88′ | Love | 85 % | 82 % | 70 % | 72 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Mothers and Daughters. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Grace
Anastasia
Girl at Club
Jake
Details
- Directed by
- Paul Duddridge, Nigel Levy
- Written by
- Paul Duddridge, Paige Cameron
- Type
- Movies
- Released
- 2016
- Runtime
- 90 min
- Country
- United States
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Free
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
