Goodbye to Language
2014 · 69 min · Director: Jean-Luc Godard
Show plot summary (may contain spoilers)
The idea is simple: A married woman and a single man meet. They love, they argue, fists fly. A dog strays between town and country. The seasons pass. The man and woman meet again. The dog finds itself between them. The other is in one, the one is in the other and they are three. The former husband shatters everything. A second film begins: the same as the first, and yet not. From the human race we pass to metaphor. This ends in barking and a baby's cries.
Emotional fingerprint
Goodbye to Language (2014) — Movie. Top emotional signals: Confusion 35%, Awe 25%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Confusion35%
- Awe25%
- Disturbing20%
- Surprise10%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Awe, Disturbing. Genres: Drama, Fantasy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Awe and Disturbing. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Confusion
- Curiosity
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Confusion
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Confusion | Curiosity |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 40 % | 12 % | 37 % | 43 % |
| 7.5 % | ≈ 5′ | Curiosity | 40 % | 13 % | 33 % | 41 % |
| 12.5 % | ≈ 9′ | Curiosity | 43 % | 14 % | 35 % | 41 % |
| 17.5 % | ≈ 12′ | Confusion | 45 % | 15 % | 43 % | 44 % |
| 22.5 % | ≈ 16′ | Curiosity | 46 % | 21 % | 41 % | 40 % |
| 27.5 % | ≈ 19′ | Sadness | 55 % | 43 % | 35 % | 29 % |
| 32.5 % | ≈ 22′ | Sadness | 60 % | 57 % | 30 % | 25 % |
| 37.5 % | ≈ 26′ | Sadness | 51 % | 49 % | 28 % | 31 % |
| 42.5 % | ≈ 29′ | Sadness | 50 % | 43 % | 31 % | 34 % |
| 47.5 % | ≈ 33′ | Sadness | 54 % | 44 % | 38 % | 32 % |
| 52.5 % | ≈ 36′ | Confusion | 48 % | 35 % | 41 % | 35 % |
| 57.5 % | ≈ 40′ | Confusion | 44 % | 29 % | 43 % | 36 % |
| 62.5 % | ≈ 43′ | Confusion | 46 % | 35 % | 38 % | 29 % |
| 67.5 % | ≈ 47′ | Sadness | 50 % | 44 % | 29 % | 26 % |
| 72.5 % | ≈ 50′ | Sadness | 51 % | 43 % | 29 % | 38 % |
| 77.5 % | ≈ 53′ | Curiosity | 49 % | 34 % | 34 % | 45 % |
| 82.5 % | ≈ 57′ | Curiosity | 48 % | 34 % | 34 % | 44 % |
| 87.5 % | ≈ 60′ | Sadness | 46 % | 34 % | 36 % | 41 % |
| 92.5 % | ≈ 64′ | Confusion | 44 % | 26 % | 43 % | 38 % |
| 97.5 % | ≈ 67′ | Confusion | 42 % | 23 % | 45 % | 33 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Goodbye to Language. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Mary Shelley
Gédéon
Davidson
Details
- Directed by
- Jean-Luc Godard
- Written by
- Jean-Luc Godard
- Type
- Movies
- Released
- 2014
- Runtime
- 69 min
- Country
- Switzerland, France
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Subscription
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