A Bride for Christmas
2012 · 90 min · Director: Gary Yates
Show plot summary (may contain spoilers)
After Jessie calls off her third engagement, she swears off serious relationships until she finds the one. That is, until charming but chronically single Aiden comes along. But unbeknownst to Jessie, Aiden has bet his friends that he can convince a woman to marry him by Christmas, which is only four weeks away.
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Emotional fingerprint
A Bride for Christmas (2012) — Movie. Top emotional signals: Love 35%, Humor 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Love35%
- Humor25%
- Anticipation20%
- Joy10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Love, Humor, Anticipation. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Love, Humor and Anticipation. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Joy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Joy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 40 % | 15 % | 18 % | 32 % |
| 7.5 % | ≈ 7′ | Humor | 39 % | 9 % | 13 % | 34 % |
| 12.5 % | ≈ 11′ | Humor | 38 % | 9 % | 13 % | 36 % |
| 17.5 % | ≈ 16′ | Humor | 36 % | 16 % | 14 % | 36 % |
| 22.5 % | ≈ 20′ | Humor | 34 % | 19 % | 11 % | 34 % |
| 27.5 % | ≈ 25′ | Humor | 35 % | 20 % | 13 % | 34 % |
| 32.5 % | ≈ 29′ | Humor | 39 % | 28 % | 16 % | 34 % |
| 37.5 % | ≈ 34′ | Love | 41 % | 34 % | 18 % | 34 % |
| 42.5 % | ≈ 38′ | Humor | 44 % | 36 % | 18 % | 33 % |
| 47.5 % | ≈ 43′ | Love | 45 % | 36 % | 19 % | 31 % |
| 52.5 % | ≈ 47′ | Humor | 44 % | 34 % | 24 % | 36 % |
| 57.5 % | ≈ 52′ | Love | 41 % | 33 % | 24 % | 35 % |
| 62.5 % | ≈ 56′ | Love | 45 % | 38 % | 19 % | 26 % |
| 67.5 % | ≈ 61′ | Love | 57 % | 51 % | 29 % | 23 % |
| 72.5 % | ≈ 65′ | Love | 68 % | 54 % | 39 % | 19 % |
| 77.5 % | ≈ 70′ | Sadness | 66 % | 38 % | 25 % | 13 % |
| 82.5 % | ≈ 74′ | Sadness | 59 % | 33 % | 14 % | 15 % |
| 87.5 % | ≈ 79′ | Love | 64 % | 53 % | 35 % | 21 % |
| 92.5 % | ≈ 83′ | Joy | 78 % | 73 % | 65 % | 22 % |
| 97.5 % | ≈ 88′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Patty
Details
- Directed by
- Gary Yates
- Written by
- Barbara Kymlicka
- Type
- Movies
- Released
- 2012
- Runtime
- 90 min
- Country
- Canada, United States
- Ratings
- Feels mostly
- Love
- Data updated
Where to watch
Subscription
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





