feeldb

A Bride for Christmas

2012 · 90 min · Director: Gary Yates ★ IMDb 6.6 · 5,149 ratings

Show plot summary (may contain spoilers)

After Jessie calls off her third engagement, she swears off serious relationships until she finds the one. That is, until charming but chronically single Aiden comes along. But unbeknownst to Jessie, Aiden has bet his friends that he can convince a woman to marry him by Christmas, which is only four weeks away.

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Emotional fingerprint

A Bride for Christmas (2012) — Movie. Top emotional signals: Love 35%, Humor 25%, Anticipation 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love35%
  2. Humor25%
  3. Joy10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Love, Humor, Anticipation. Genres: Comedy, Romance. AI estimate.

Is it worth watching?

Consider this title if you are looking for Love, Humor and Anticipation. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Love
  • Joy
  • Humor

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Love

Dominant emotion: Sadness

Dominant emotion: Joy

Love
Joy
Humor
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 23 %, then rises around 68 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityLoveJoyHumor
2.5 %≈ 2′Humor40 %15 %18 %32 %
7.5 %≈ 7′Humor39 %9 %13 %34 %
12.5 %≈ 11′Humor38 %9 %13 %36 %
17.5 %≈ 16′Humor36 %16 %14 %36 %
22.5 %≈ 20′Humor34 %19 %11 %34 %
27.5 %≈ 25′Humor35 %20 %13 %34 %
32.5 %≈ 29′Humor39 %28 %16 %34 %
37.5 %≈ 34′Love41 %34 %18 %34 %
42.5 %≈ 38′Humor44 %36 %18 %33 %
47.5 %≈ 43′Love45 %36 %19 %31 %
52.5 %≈ 47′Humor44 %34 %24 %36 %
57.5 %≈ 52′Love41 %33 %24 %35 %
62.5 %≈ 56′Love45 %38 %19 %26 %
67.5 %≈ 61′Love57 %51 %29 %23 %
72.5 %≈ 65′Love68 %54 %39 %19 %
77.5 %≈ 70′Sadness66 %38 %25 %13 %
82.5 %≈ 74′Sadness59 %33 %14 %15 %
87.5 %≈ 79′Love64 %53 %35 %21 %
92.5 %≈ 83′Joy78 %73 %65 %22 %
97.5 %≈ 88′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

PB
Peter Benson

Matt

JL
Jordana Largy

Marcie

CR
Chelsey Reist

Patty

JB
Julian Bailey

Oliver

Eric Keenleyside

Hank Patterston

Details

Directed by
Gary Yates
Written by
Barbara Kymlicka
Type
Movies
Released
2012
Runtime
90 min
Country
Canada, United States
Ratings
★ IMDb 6.6 · 5,149 ratings
Feels mostly
Love
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.