Taken 3
2014 · 109 min · Director: Olivier Megaton
Show plot summary (may contain spoilers)
Liam Neeson returns as ex-covert operative Bryan Mills, whose long awaited reconciliation with his ex-wife is tragically cut short when she is brutally murdered. Consumed with rage, and framed for the crime, he goes on the run to evade the relentless pursuit of the CIA, FBI and the police. For one last time, Mills must use his "particular set of skills," to track down the real killers, exact his unique brand of justice, and protect the only thing that matters to him now - his daughter.
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Emotional fingerprint
Taken 3 (2014) — Movie. Top emotional signals: Excitement 30%, Tension 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement30%
- Tension25%
- Anxiety20%
- Anger15%
- Relief10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Tension, Anxiety. Genres: Thriller, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Tension and Anxiety. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sympathy
Dominant emotion: Sadness
Dominant emotion: Curiosity
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 55 % | 45 % | 28 % | 27 % |
| 7.5 % | ≈ 8′ | Sympathy | 45 % | 27 % | 21 % | 31 % |
| 12.5 % | ≈ 14′ | Sympathy | 48 % | 35 % | 26 % | 34 % |
| 17.5 % | ≈ 19′ | Tension | 68 % | 63 % | 45 % | 45 % |
| 22.5 % | ≈ 25′ | Sadness | 70 % | 61 % | 56 % | 56 % |
| 27.5 % | ≈ 30′ | Curiosity | 61 % | 50 % | 58 % | 48 % |
| 32.5 % | ≈ 35′ | Curiosity | 66 % | 60 % | 54 % | 28 % |
| 37.5 % | ≈ 41′ | Tension | 74 % | 70 % | 51 % | 26 % |
| 42.5 % | ≈ 46′ | Sadness | 65 % | 59 % | 53 % | 38 % |
| 47.5 % | ≈ 52′ | Curiosity | 54 % | 46 % | 45 % | 40 % |
| 52.5 % | ≈ 57′ | Sympathy | 56 % | 46 % | 35 % | 49 % |
| 57.5 % | ≈ 63′ | Sympathy | 63 % | 53 % | 40 % | 48 % |
| 62.5 % | ≈ 68′ | Tension | 69 % | 65 % | 55 % | 31 % |
| 67.5 % | ≈ 74′ | Tension | 68 % | 68 % | 59 % | 23 % |
| 72.5 % | ≈ 79′ | Tension | 66 % | 65 % | 59 % | 23 % |
| 77.5 % | ≈ 84′ | Tension | 73 % | 70 % | 64 % | 29 % |
| 82.5 % | ≈ 90′ | Tension | 74 % | 73 % | 56 % | 30 % |
| 87.5 % | ≈ 95′ | Tension | 73 % | 56 % | 35 % | 36 % |
| 92.5 % | ≈ 101′ | Sympathy | 70 % | 27 % | 17 % | 50 % |
| 97.5 % | ≈ 106′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Clarence
Claire
Maxim Partner #1
Cop Crime Scene #2
Details
- Directed by
- Olivier Megaton
- Written by
- Luc Besson, Robert Mark Kamen
- Type
- Movies
- Released
- 2014
- Runtime
- 109 min
- Country
- France, Spain, United States
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Rent
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





