Clouds of Sils Maria
2014 · 124 min · Director: Olivier Assayas
Show plot summary (may contain spoilers)
The first real professional success for famed French actress Maria Enders was twenty years ago as the co-lead in writer Wilhelm Melchoir's play and subsequent movie "Maloja Snake", he who picked Maria, then an unknown, personally. She played Sigrid, an opportunistic eighteen year old in an emotionally dependent lesbian relationship with forty year old Helena, who was at a vulnerable stage of her life. Maria has turned down the play's upcoming London revival in which she would now play Helena, it remounted by director Klaus Diesterweg. Her reasons for turning down the role are many including: being at a vulnerable stage of her own life going through a painful divorce; remembering the suicide of Susan Rosenberg, the original Helena, following the original run of the play, the suicide purportedly mirroring what happens to Helena; and the painful memories of the production in still having hard feelings toward who was her older male costar, Henryk Wald, with who she had an affair at the time. Maria reconsiders and accepts the role when Wilhelm unexpectedly passes away, she hearing the news en route to the Zurich Film Festival where she was to accept an award on recluse Wilhelm's behalf. Maria begins to regret her decision, largely due to having to work with nineteen year old Jo-Ann Ellis as Sigrid, Jo-Ann a trained actress whose Hollywood lifestyle is making her self-destruct, this behavior which Maria, who hates the Internet and the Hollywood gossip on it, did not know before signing the contract. But what may be most difficult for Maria is the role opening up her own professional relationship and friendship with her younger American personal assistant, Valentine, the two who are staying at Wilhelm's mountain retreat in Sils Maria in the Swiss Alps, where Maria is preparing for the play and where many of the locations were inspiration for the play's themes.
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Emotional fingerprint
Clouds of Sils Maria (2014) — Movie. Top emotional signals: Curiosity 30%, Melancholy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Curiosity30%
- Melancholy25%
- Anxiety20%
- Empathy15%
- Awe10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Curiosity, Melancholy, Anxiety. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Curiosity, Melancholy and Anxiety. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 38 % | 27 % | 23 % | 19 % |
| 7.5 % | ≈ 9′ | Sadness | 47 % | 27 % | 26 % | 36 % |
| 12.5 % | ≈ 16′ | Sadness | 51 % | 28 % | 30 % | 43 % |
| 17.5 % | ≈ 22′ | Sadness | 48 % | 32 % | 30 % | 36 % |
| 22.5 % | ≈ 28′ | Curiosity | 43 % | 39 % | 29 % | 23 % |
| 27.5 % | ≈ 34′ | Curiosity | 42 % | 42 % | 30 % | 19 % |
| 32.5 % | ≈ 40′ | Curiosity | 44 % | 43 % | 33 % | 18 % |
| 37.5 % | ≈ 47′ | Curiosity | 44 % | 40 % | 34 % | 16 % |
| 42.5 % | ≈ 53′ | Curiosity | 45 % | 38 % | 36 % | 19 % |
| 47.5 % | ≈ 59′ | Tension | 52 % | 36 % | 46 % | 24 % |
| 52.5 % | ≈ 65′ | Tension | 54 % | 31 % | 47 % | 23 % |
| 57.5 % | ≈ 71′ | Humor | 50 % | 31 % | 42 % | 18 % |
| 62.5 % | ≈ 78′ | Tension | 54 % | 36 % | 49 % | 21 % |
| 67.5 % | ≈ 84′ | Tension | 54 % | 36 % | 46 % | 27 % |
| 72.5 % | ≈ 90′ | Empathy | 48 % | 34 % | 33 % | 25 % |
| 77.5 % | ≈ 96′ | Tension | 49 % | 40 % | 38 % | 23 % |
| 82.5 % | ≈ 102′ | Curiosity | 53 % | 47 % | 49 % | 24 % |
| 87.5 % | ≈ 109′ | Tension | 50 % | 44 % | 44 % | 22 % |
| 92.5 % | ≈ 115′ | Curiosity | 45 % | 39 % | 32 % | 27 % |
| 97.5 % | ≈ 121′ | Sadness | 45 % | 36 % | 28 % | 35 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
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Cast
Maria's agent
Journalist in Zürich
Journalist in London
Talk show host
Urs' assistant
Mayor of Zürich
Berndt
Chanel PR
Waldhaus concierge
Details
- Directed by
- Olivier Assayas
- Written by
- Olivier Assayas
- Type
- Movies
- Released
- 2014
- Runtime
- 124 min
- Country
- France, Germany, Switzerland
- Genres
- Drama
- Ratings
- Feels mostly
- Curiosity
- Data updated
Where to watch
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Free
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