Sand Castle
2017 · 113 min · Director: Fernando Coimbra
Show plot summary (may contain spoilers)
A soldier enlists just before the 9/11. He is not a brave man--simply volunteering to defend freedom. Arriving in Iraq in 2003, just after the occupation of Bagdad, with a few soldiers of his infantry platoon, he is sent to provide water to a village whose infrastructure was destroyed. Simple things however, such as water transportation, water distribution and the reconstruction of the plumbing became a challenge in war environment.
Emotional fingerprint
Sand Castle (2017) — Movie. Top emotional signals: Fear 35%, Anxiety 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Anxiety, Tension. Genres: Drama, Action, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Anxiety and Tension. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 43 % | 37 % | 19 % | 12 % |
| 7.5 % | ≈ 8′ | Tension | 53 % | 49 % | 20 % | 9 % |
| 12.5 % | ≈ 14′ | Tension | 54 % | 50 % | 20 % | 10 % |
| 17.5 % | ≈ 20′ | Humor | 43 % | 34 % | 21 % | 11 % |
| 22.5 % | ≈ 25′ | Empathy | 43 % | 32 % | 25 % | 11 % |
| 27.5 % | ≈ 31′ | Tension | 55 % | 50 % | 28 % | 12 % |
| 32.5 % | ≈ 37′ | Tension | 58 % | 55 % | 34 % | 14 % |
| 37.5 % | ≈ 42′ | Tension | 54 % | 50 % | 42 % | 21 % |
| 42.5 % | ≈ 48′ | Empathy | 63 % | 58 % | 43 % | 25 % |
| 47.5 % | ≈ 54′ | Tension | 75 % | 69 % | 41 % | 31 % |
| 52.5 % | ≈ 59′ | Sadness | 69 % | 59 % | 45 % | 38 % |
| 57.5 % | ≈ 65′ | Hope | 57 % | 37 % | 44 % | 27 % |
| 62.5 % | ≈ 71′ | Humor | 58 % | 32 % | 46 % | 32 % |
| 67.5 % | ≈ 76′ | Sadness | 70 % | 53 % | 53 % | 42 % |
| 72.5 % | ≈ 82′ | Tension | 81 % | 76 % | 59 % | 39 % |
| 77.5 % | ≈ 88′ | Tension | 87 % | 83 % | 69 % | 53 % |
| 82.5 % | ≈ 93′ | Sadness | 78 % | 63 % | 69 % | 61 % |
| 87.5 % | ≈ 99′ | Empathy | 65 % | 30 % | 62 % | 51 % |
| 92.5 % | ≈ 105′ | Empathy | 62 % | 14 % | 61 % | 49 % |
| 97.5 % | ≈ 110′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Majid
Rasul
Sheik
Kidwell
Details
- Directed by
- Fernando Coimbra
- Written by
- Chris Roessner
- Type
- Movies
- Released
- 2017
- Runtime
- 113 min
- Country
- United States
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
