feeldb

Pop Redemption

2013 · 94 min · Director: Martin Le Gall ★ IMDb 6 · 1,544 ratings

Show plot summary (may contain spoilers)

A black metal band it is about to split up. In their way to one last gig at Hellfest festival an accidental death triggers numerous misadventures to four metalheads.

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Emotional fingerprint

Pop Redemption (2013) — Movie. Top emotional signals: Humor 35%, Excitement 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Humor35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Humor, Excitement, Tension. Genres: Comedy, Music. AI estimate.

Is it worth watching?

Consider this title if you are looking for Humor, Excitement and Tension. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Humor
  • Tension
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Joy

Dominant emotion: Sadness

Humor
Tension
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidenceNot enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 13 %, then peaks around 88 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorTensionSadness
2.5 %≈ 2′Humor43 %43 %9 %5 %
7.5 %≈ 7′Humor45 %44 %10 %5 %
12.5 %≈ 12′Humor53 %52 %17 %4 %
17.5 %≈ 16′Humor63 %50 %38 %7 %
22.5 %≈ 21′Tension68 %41 %56 %18 %
27.5 %≈ 26′Humor64 %41 %57 %24 %
32.5 %≈ 31′Tension58 %45 %46 %20 %
37.5 %≈ 35′Humor56 %49 %38 %20 %
42.5 %≈ 40′Humor56 %49 %38 %26 %
47.5 %≈ 45′Humor54 %45 %37 %27 %
52.5 %≈ 49′Humor54 %46 %39 %18 %
57.5 %≈ 54′Humor59 %51 %46 %7 %
62.5 %≈ 59′Humor61 %50 %43 %8 %
67.5 %≈ 63′Joy64 %43 %39 %27 %
72.5 %≈ 68′Sadness65 %40 %41 %36 %
77.5 %≈ 73′Humor63 %47 %45 %23 %
82.5 %≈ 78′Tension65 %43 %46 %27 %
87.5 %≈ 82′Joy70 %32 %38 %47 %
92.5 %≈ 87′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
97.5 %≈ 92′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Oedipus

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

JD
Julien Doré

YB
Yacine Belhousse

Erik

Audrey Fleurot

Martine Georges

AA
Alexandre Astier

le Chef de la SR

Details

Directed by
Martin Le Gall
Written by
Alexandre Astier, Martin Le Gall, Mark Eacersall, Alexandre Astier
Type
Movies
Released
2013
Runtime
94 min
Country
France
Genres
Comedy, Music
Ratings
★ IMDb 6 · 1,544 ratings
Feels mostly
Humor
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.