Miss Stevens
2016 · 86 min · Director: Julia Hart, Julia Hart
Show plot summary (may contain spoilers)
When Miss Stevens chaperones three of her students - Billy, Margot and Sam - on a weekend trip to a drama competition, she discovers that coming of age stories aren't just for teenagers. Exploring the fine line between being a grown up and being a kid, MISS STEVENS looks at the moment you realize maybe you're the responsible adult in the room, and what comes after you find out you're not who you thought you'd be.
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Emotional fingerprint
Miss Stevens (2016) — Movie. Top emotional signals: Empathy 30%, Humor 25%, Inspiration 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Humor25%
- Inspiration20%
- Anxiety15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Humor, Inspiration. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Humor and Inspiration. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Empathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Empathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Sadness | 32 % | 20 % | 23 % | 15 % |
| 7.5 % | ≈ 6′ | Humor | 33 % | 18 % | 14 % | 23 % |
| 12.5 % | ≈ 11′ | Humor | 33 % | 14 % | 6 % | 26 % |
| 17.5 % | ≈ 15′ | Humor | 34 % | 18 % | 9 % | 23 % |
| 22.5 % | ≈ 19′ | Humor | 39 % | 26 % | 15 % | 21 % |
| 27.5 % | ≈ 24′ | Humor | 46 % | 29 % | 15 % | 21 % |
| 32.5 % | ≈ 28′ | Humor | 46 % | 28 % | 11 % | 20 % |
| 37.5 % | ≈ 32′ | Humor | 44 % | 34 % | 18 % | 26 % |
| 42.5 % | ≈ 37′ | Empathy | 50 % | 46 % | 31 % | 34 % |
| 47.5 % | ≈ 41′ | Empathy | 56 % | 51 % | 36 % | 39 % |
| 52.5 % | ≈ 45′ | Tension | 59 % | 51 % | 37 % | 41 % |
| 57.5 % | ≈ 49′ | Empathy | 67 % | 61 % | 51 % | 38 % |
| 62.5 % | ≈ 54′ | Sadness | 71 % | 68 % | 60 % | 40 % |
| 67.5 % | ≈ 58′ | Empathy | 66 % | 60 % | 50 % | 49 % |
| 72.5 % | ≈ 62′ | Empathy | 68 % | 57 % | 45 % | 59 % |
| 77.5 % | ≈ 67′ | Tension | 67 % | 55 % | 40 % | 55 % |
| 82.5 % | ≈ 71′ | Hope | 60 % | 51 % | 35 % | 30 % |
| 87.5 % | ≈ 75′ | Empathy | 61 % | 59 % | 39 % | 13 % |
| 92.5 % | ≈ 80′ | Empathy | 56 % | 51 % | 33 % | 8 % |
| 97.5 % | ≈ 84′ | Sadness | 42 % | 28 % | 25 % | 3 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sam
Miss Conway
George
Trevor
Stage Manager
AAA Guy
Front Desk Lady
Waiter
Male Judge
Mechanic
Billy's Mom
Margot’s Dad
Details
- Directed by
- Julia Hart, Julia Hart
- Written by
- Julia Hart, Jordan Horowitz, Julia Hart
- Type
- Movies
- Released
- 2016
- Runtime
- 86 min
- Country
- United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





