On the Job
2013 · 119 min · Director: Erik Matti
Show plot summary (may contain spoilers)
A gritty film about four men struggling to survive and a make living for themselves and their respective loved ones. Two are former prison inmates, hired as contract killers, and the two other are law enforcers and investigators, caught in the loop of corrupt government officials. Mario intends to go straight when he gets parole, and Daniel a younger inmate and Mario's apprentice, is set to replace him as hired killer. Joaquin and Francis are the police officers tangled in a moral conflict. The two groups inevitably collide.
Emotional fingerprint
On the Job (2013) — Movie. Top emotional signals: Tension 30%, Anxiety 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Anxiety25%
- Empathy20%
- Sadness15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Anxiety, Empathy. Genres: Drama, Crime, Action. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Anxiety and Empathy. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Disturbing
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Disturbing | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 57 % | 45 % | 42 % | 32 % |
| 7.5 % | ≈ 9′ | Sadness | 56 % | 36 % | 38 % | 39 % |
| 12.5 % | ≈ 15′ | Empathy | 55 % | 35 % | 31 % | 29 % |
| 17.5 % | ≈ 21′ | Curiosity | 55 % | 45 % | 34 % | 15 % |
| 22.5 % | ≈ 27′ | Curiosity | 53 % | 49 % | 36 % | 14 % |
| 27.5 % | ≈ 33′ | Tension | 57 % | 54 % | 45 % | 19 % |
| 32.5 % | ≈ 39′ | Disturbing | 66 % | 57 % | 59 % | 26 % |
| 37.5 % | ≈ 45′ | Disturbing | 69 % | 57 % | 64 % | 35 % |
| 42.5 % | ≈ 51′ | Disturbing | 78 % | 71 % | 68 % | 41 % |
| 47.5 % | ≈ 57′ | Tension | 85 % | 83 % | 67 % | 40 % |
| 52.5 % | ≈ 62′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 57.5 % | ≈ 68′ | Tension | 65 % | 62 % | 48 % | 40 % |
| 62.5 % | ≈ 74′ | Sadness | 57 % | 50 % | 44 % | 38 % |
| 67.5 % | ≈ 80′ | Curiosity | 55 % | 46 % | 41 % | 34 % |
| 72.5 % | ≈ 86′ | Curiosity | 61 % | 56 % | 46 % | 33 % |
| 77.5 % | ≈ 92′ | Tension | 69 % | 68 % | 54 % | 34 % |
| 82.5 % | ≈ 98′ | Tension | 78 % | 76 % | 64 % | 45 % |
| 87.5 % | ≈ 104′ | Tension | 80 % | 74 % | 70 % | 60 % |
| 92.5 % | ≈ 110′ | Sadness | 75 % | 63 % | 68 % | 63 % |
| 97.5 % | ≈ 116′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about On the Job. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lulette
Sgt. Joaquin Acosta
Nicky
Cong. Manrique
Bernabe
Tina
Thelma
Gigi
Boyet
Rex
Diane
Ramon
Esteban
Ruel
Simeon
Details
- Directed by
- Erik Matti
- Written by
- Erik Matti, Michiko Yamamoto
- Type
- Movies
- Released
- 2013
- Runtime
- 119 min
- Country
- Philippines
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Subscription
Also on
Availability varies by country
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