The Death of Superman Lives: What Happened?
2015 · 105 min · Director: Jon Schnepp
Show plot summary (may contain spoilers)
A documentary about the proposed 1998 Superman Lives feature film that would have starred Nicolas Cage.
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Emotional fingerprint
The Death of Superman Lives: What Happened? (2015) — Movie. Top emotional signals: Curiosity 30%, Empathy 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Curiosity30%
- Empathy25%
- Anxiety20%
- Sadness15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Curiosity, Empathy, Anxiety. Genres: Documentary, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Curiosity, Empathy and Anxiety. Its IMDb rating of 7.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 70/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Melancholy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Melancholy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Melancholy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 47 % | 52 % | 15 % | 25 % |
| 7.5 % | ≈ 8′ | Curiosity | 45 % | 49 % | 8 % | 30 % |
| 12.5 % | ≈ 13′ | Curiosity | 45 % | 46 % | 3 % | 35 % |
| 17.5 % | ≈ 18′ | Curiosity | 41 % | 43 % | 4 % | 25 % |
| 22.5 % | ≈ 24′ | Curiosity | 38 % | 41 % | 6 % | 13 % |
| 27.5 % | ≈ 29′ | Curiosity | 38 % | 41 % | 8 % | 14 % |
| 32.5 % | ≈ 34′ | Curiosity | 38 % | 40 % | 6 % | 21 % |
| 37.5 % | ≈ 39′ | Curiosity | 39 % | 44 % | 4 % | 25 % |
| 42.5 % | ≈ 45′ | Curiosity | 40 % | 49 % | 3 % | 19 % |
| 47.5 % | ≈ 50′ | Curiosity | 41 % | 50 % | 4 % | 15 % |
| 52.5 % | ≈ 55′ | Curiosity | 41 % | 48 % | 6 % | 20 % |
| 57.5 % | ≈ 60′ | Curiosity | 38 % | 43 % | 9 % | 18 % |
| 62.5 % | ≈ 66′ | Curiosity | 36 % | 40 % | 11 % | 13 % |
| 67.5 % | ≈ 71′ | Curiosity | 38 % | 40 % | 16 % | 11 % |
| 72.5 % | ≈ 76′ | Curiosity | 38 % | 41 % | 18 % | 14 % |
| 77.5 % | ≈ 81′ | Curiosity | 41 % | 41 % | 19 % | 16 % |
| 82.5 % | ≈ 87′ | Melancholy | 48 % | 36 % | 34 % | 9 % |
| 87.5 % | ≈ 92′ | Melancholy | 50 % | 31 % | 48 % | 13 % |
| 92.5 % | ≈ 97′ | Melancholy | 50 % | 30 % | 50 % | 28 % |
| 97.5 % | ≈ 102′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Self
Self
Self
Self
Self
Self
Self
Self
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Self
Self
Self
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Self
Details
- Directed by
- Jon Schnepp
- Written by
- Jon Schnepp
- Type
- Movies
- Released
- 2015
- Runtime
- 105 min
- Country
- United States
- Genres
- Documentary, Sci-Fi
- Ratings
- Feels mostly
- Curiosity
- Data updated
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More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





