feeldb

Angélique

2013 · 112 min · Director: Ariel Zeitoun ★ IMDb 6.1 · 2,017 ratings

Show plot summary (may contain spoilers)

In France, prior to Louis XIV ascending the throne, a young baroness is forced to marry against her will and is caught up in a web of treachery and murder, threatening her and her husband, whom she has come to love deeply.

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Emotional fingerprint

Angélique (2013) — Movie. Top emotional signals: Excitement 30%, Love 25%, Tension 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Love25%
  2. Anger10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Love, Tension. Genres: Drama, History, Adventure. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Love and Tension. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 63/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Empathy
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Empathy

Dominant emotion: Tension

Dominant emotion: Love

Dominant emotion: Sadness

Tension
Empathy
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then rises around 63 %, then peaks around 88 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionEmpathySadness
2.5 %≈ 3′Empathy43 %38 %37 %17 %
7.5 %≈ 8′Tension43 %38 %35 %15 %
12.5 %≈ 14′Empathy40 %32 %35 %18 %
17.5 %≈ 20′Empathy44 %35 %38 %23 %
22.5 %≈ 25′Tension44 %39 %31 %16 %
27.5 %≈ 31′Love45 %43 %28 %11 %
32.5 %≈ 36′Tension57 %48 %32 %11 %
37.5 %≈ 42′Love59 %41 %32 %11 %
42.5 %≈ 48′Tension54 %45 %28 %13 %
47.5 %≈ 53′Tension63 %61 %35 %21 %
52.5 %≈ 59′Empathy66 %63 %51 %36 %
57.5 %≈ 64′Empathy60 %56 %51 %35 %
62.5 %≈ 70′Tension65 %63 %49 %30 %
67.5 %≈ 76′Tension76 %71 %59 %40 %
72.5 %≈ 81′Love80 %74 %59 %39 %
77.5 %≈ 87′Tension83 %79 %55 %34 %
82.5 %≈ 92′Tension86 %83 %66 %55 %
87.5 %≈ 98′Sadness89 %76 %78 %79 %
92.5 %≈ 104′Sadness85 %58 %76 %80 %
97.5 %≈ 109′Sadness77 %42 %68 %70 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

NA
Nora Arnezeder

Angélique

TS
Tomer Sisley

Le marquis de Plessis-Bellière

Simon Abkarian

L'avocat François Desgrez

FC
Florence Coste

Margot

David Kross

Louis XIV

Mathieu Kassovitz

Nicolas / Calembredaine

JP
Jiří Pomeje

Cul-de-Bois

Details

Directed by
Ariel Zeitoun
Written by
Philippe Blasband, Ariel Zeitoun, Nadia Golon
Type
Movies
Released
2013
Runtime
112 min
Country
France, Belgium, Czech Republic, Austria
Ratings
★ IMDb 6.1 · 2,017 ratings
Feels mostly
Excitement
Data updated

Where to watch

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Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.