Popeye: The Slayer Man
2025 · 88 min · Director: Robert Michael Ryan
Show plot summary (may contain spoilers)
A curious group of friends sneak into an abandoned spinach canning factory to investigate the legend of the "Sailor Man," who is said to haunt the factory and local docks.
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Emotional fingerprint
Popeye: The Slayer Man (2025) — Movie. Top emotional signals: Fear 40%, Tension 30%, Disturbing 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Fear40%
- Tension30%
- Disturbing20%
- Excitement10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Fear, Tension, Disturbing. Genres: Horror. AI estimate.
Is it worth watching?
Consider this title if you are looking for Fear, Tension and Disturbing. Its IMDb rating of 3.6/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 57/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Fear
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Disgust
Dominant emotion: Curiosity
Dominant emotion: Sympathy
Dominant emotion: Fear
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Fear | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 75 % | 70 % | 58 % | 45 % |
| 7.5 % | ≈ 7′ | Disgust | 63 % | 53 % | 41 % | 28 % |
| 12.5 % | ≈ 11′ | Curiosity | 51 % | 43 % | 26 % | 11 % |
| 17.5 % | ≈ 15′ | Tension | 54 % | 49 % | 29 % | 11 % |
| 22.5 % | ≈ 20′ | Disgust | 56 % | 50 % | 28 % | 24 % |
| 27.5 % | ≈ 24′ | Sympathy | 55 % | 46 % | 23 % | 30 % |
| 32.5 % | ≈ 29′ | Curiosity | 55 % | 43 % | 24 % | 18 % |
| 37.5 % | ≈ 33′ | Curiosity | 64 % | 51 % | 40 % | 20 % |
| 42.5 % | ≈ 37′ | Fear | 70 % | 58 % | 51 % | 41 % |
| 47.5 % | ≈ 42′ | Sympathy | 60 % | 41 % | 33 % | 38 % |
| 52.5 % | ≈ 46′ | Curiosity | 64 % | 46 % | 34 % | 29 % |
| 57.5 % | ≈ 51′ | Tension | 81 % | 73 % | 63 % | 43 % |
| 62.5 % | ≈ 55′ | Tension | 86 % | 83 % | 74 % | 55 % |
| 67.5 % | ≈ 59′ | Tension | 85 % | 83 % | 73 % | 56 % |
| 72.5 % | ≈ 64′ | Tension | 81 % | 78 % | 66 % | 53 % |
| 77.5 % | ≈ 68′ | Curiosity | 78 % | 74 % | 59 % | 54 % |
| 82.5 % | ≈ 73′ | Tension | 80 % | 78 % | 59 % | 60 % |
| 87.5 % | ≈ 77′ | Tension | 83 % | 78 % | 56 % | 61 % |
| 92.5 % | ≈ 81′ | Tension | 78 % | 69 % | 50 % | 50 % |
| 97.5 % | ≈ 86′ | Disgust | 68 % | 58 % | 45 % | 35 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Dexter
Katie
Lisa
Seth
Joey
Jesse
Terry
Angus
Adrienne
Miguel
Vincent
Bernie
Detective Caruso
Police Officer
Frumpy-Looking Man at Bar
Drunk Guy at Bar
Details
- Directed by
- Robert Michael Ryan
- Written by
- Robert Michael Ryan, Cuyle Carvin, John Doolan, Jeff Miller
- Type
- Movies
- Released
- 2025
- Runtime
- 88 min
- Country
- United States
- Genres
- Horror
- Ratings
- Feels mostly
- Fear
- Data updated
Where to watch
Free
Rent
Data: JustWatch
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