10.000 Km
2014 · 99 min · Director: Carlos Marques-Marcet
Show plot summary (may contain spoilers)
Alex moves to Los Angeles for a new job; Sergi stays in Barcelona. They love each other, but maintaining a relationship through technology proves challenging.
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Emotional fingerprint
10.000 Km (2014) — Movie. Top emotional signals: Sadness 35%, Anxiety 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Anxiety25%
- Love20%
- Relief10%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Anxiety, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Anxiety and Love. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Love | 55 % | 0 % | 52 % | 3 % |
| 7.5 % | ≈ 7′ | Love | 57 % | 4 % | 49 % | 13 % |
| 12.5 % | ≈ 12′ | Hope | 59 % | 19 % | 31 % | 40 % |
| 17.5 % | ≈ 17′ | Tension | 64 % | 31 % | 31 % | 50 % |
| 22.5 % | ≈ 22′ | Hope | 64 % | 26 % | 51 % | 26 % |
| 27.5 % | ≈ 27′ | Love | 55 % | 23 % | 53 % | 11 % |
| 32.5 % | ≈ 32′ | Humor | 49 % | 26 % | 40 % | 20 % |
| 37.5 % | ≈ 37′ | Humor | 48 % | 25 % | 35 % | 29 % |
| 42.5 % | ≈ 42′ | Humor | 50 % | 19 % | 37 % | 28 % |
| 47.5 % | ≈ 47′ | Humor | 51 % | 11 % | 40 % | 21 % |
| 52.5 % | ≈ 52′ | Love | 51 % | 19 % | 32 % | 26 % |
| 57.5 % | ≈ 57′ | Sadness | 64 % | 48 % | 21 % | 53 % |
| 62.5 % | ≈ 62′ | Sadness | 78 % | 69 % | 18 % | 73 % |
| 67.5 % | ≈ 67′ | Sadness | 75 % | 64 % | 29 % | 60 % |
| 72.5 % | ≈ 72′ | Love | 66 % | 45 % | 45 % | 41 % |
| 77.5 % | ≈ 77′ | Tension | 68 % | 43 % | 40 % | 54 % |
| 82.5 % | ≈ 82′ | Tension | 71 % | 53 % | 26 % | 70 % |
| 87.5 % | ≈ 87′ | Tension | 63 % | 49 % | 26 % | 60 % |
| 92.5 % | ≈ 92′ | Sadness | 55 % | 43 % | 33 % | 48 % |
| 97.5 % | ≈ 97′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Details
- Directed by
- Carlos Marques-Marcet
- Written by
- Natalia Tena, Clara Roquet, Carlos Marques-Marcet
- Type
- Movies
- Released
- 2014
- Runtime
- 99 min
- Country
- Spain
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
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