La Dolce Villa
2025 · 99 min · Director: Mark Waters
Show plot summary (may contain spoilers)
A successful businessman travels to Italy to stop his daughter from spending all her money to restore an old villa, but Italy has other romantic plans.
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Emotional fingerprint
La Dolce Villa (2025) — Movie. Top emotional signals: Humor 30%, Love 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor30%
- Love25%
- Joy20%
- Nostalgia15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Love, Joy. Genres: Comedy, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Love and Joy. Its IMDb rating of 6.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Joy
- Love
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Love | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 38 % | 17 % | 10 % | 35 % |
| 7.5 % | ≈ 7′ | Humor | 44 % | 25 % | 10 % | 39 % |
| 12.5 % | ≈ 12′ | Joy | 45 % | 33 % | 11 % | 36 % |
| 17.5 % | ≈ 17′ | Humor | 41 % | 30 % | 16 % | 31 % |
| 22.5 % | ≈ 22′ | Joy | 43 % | 30 % | 20 % | 32 % |
| 27.5 % | ≈ 27′ | Humor | 44 % | 27 % | 18 % | 36 % |
| 32.5 % | ≈ 32′ | Humor | 45 % | 26 % | 16 % | 35 % |
| 37.5 % | ≈ 37′ | Joy | 50 % | 34 % | 23 % | 32 % |
| 42.5 % | ≈ 42′ | Sadness | 51 % | 35 % | 34 % | 36 % |
| 47.5 % | ≈ 47′ | Love | 51 % | 36 % | 44 % | 41 % |
| 52.5 % | ≈ 52′ | Love | 50 % | 38 % | 45 % | 40 % |
| 57.5 % | ≈ 57′ | Love | 46 % | 34 % | 40 % | 38 % |
| 62.5 % | ≈ 62′ | Joy | 50 % | 36 % | 43 % | 39 % |
| 67.5 % | ≈ 67′ | Love | 60 % | 40 % | 54 % | 40 % |
| 72.5 % | ≈ 72′ | Love | 64 % | 38 % | 58 % | 36 % |
| 77.5 % | ≈ 77′ | Love | 61 % | 26 % | 46 % | 25 % |
| 82.5 % | ≈ 82′ | Sadness | 64 % | 24 % | 41 % | 23 % |
| 87.5 % | ≈ 87′ | Love | 71 % | 48 % | 49 % | 36 % |
| 92.5 % | ≈ 92′ | Joy | 77 % | 68 % | 50 % | 45 % |
| 97.5 % | ≈ 97′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Giovanni
Nino
Right (Sweet) Antonia
Zola
Cesare
Donata
Tracey Longo
Matteo
Hotel Concierge
Deb Welch
Lawyer Soumya
Pina
Details
- Directed by
- Mark Waters
- Written by
- Elizabeth Hackett, Hilary Galanoy
- Type
- Movies
- Released
- 2025
- Runtime
- 99 min
- Country
- United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





