The Farewell Party
2014 · 90 min · Director: Tal Granit, Sharon Maymon
Show plot summary (may contain spoilers)
THE FAREWELL PARTY is a compassionate dark comedy about friendship and knowing when to say goodbye. A group of friends at a Jerusalem retirement home build a machine for self-euthanasia in order to help their terminally ill friend. When rumors of the machine begin to spread, more and more people ask for their help, and the friends are faced with an emotional dilemma.
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Emotional fingerprint
The Farewell Party (2014) — Movie. Top emotional signals: Empathy 35%, Sadness 25%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 7.0/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 68 % | 45 % | 55 % | 20 % |
| 7.5 % | ≈ 7′ | Empathy | 71 % | 56 % | 65 % | 23 % |
| 12.5 % | ≈ 11′ | Sadness | 69 % | 56 % | 64 % | 19 % |
| 17.5 % | ≈ 16′ | Humor | 60 % | 43 % | 51 % | 16 % |
| 22.5 % | ≈ 20′ | Tension | 57 % | 36 % | 48 % | 20 % |
| 27.5 % | ≈ 25′ | Tension | 68 % | 46 % | 59 % | 26 % |
| 32.5 % | ≈ 29′ | Empathy | 76 % | 59 % | 68 % | 29 % |
| 37.5 % | ≈ 34′ | Sadness | 75 % | 63 % | 66 % | 28 % |
| 42.5 % | ≈ 38′ | Sadness | 75 % | 68 % | 69 % | 29 % |
| 47.5 % | ≈ 43′ | Sadness | 81 % | 75 % | 76 % | 39 % |
| 52.5 % | ≈ 47′ | Empathy | 80 % | 73 % | 75 % | 45 % |
| 57.5 % | ≈ 52′ | Sadness | 74 % | 66 % | 69 % | 38 % |
| 62.5 % | ≈ 56′ | Empathy | 74 % | 63 % | 70 % | 43 % |
| 67.5 % | ≈ 61′ | Empathy | 74 % | 59 % | 71 % | 53 % |
| 72.5 % | ≈ 65′ | Empathy | 76 % | 64 % | 74 % | 51 % |
| 77.5 % | ≈ 70′ | Sadness | 79 % | 69 % | 74 % | 43 % |
| 82.5 % | ≈ 74′ | Sadness | 78 % | 68 % | 70 % | 39 % |
| 87.5 % | ≈ 79′ | Sadness | 81 % | 69 % | 74 % | 53 % |
| 92.5 % | ≈ 83′ | Tension | 88 % | 74 % | 80 % | 68 % |
| 97.5 % | ≈ 88′ | Sadness | 92 % | 82 % | 85 % | 77 % |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Yehezkel
Levana (as Levana Finkelshtein)
Dr. Daniel
Raffi Segal
Carmon (as Josef Carmon)
Noa (as Hilla Surjon)
Zelda
Details
- Directed by
- Tal Granit, Sharon Maymon
- Written by
- Tal Granit, Sharon Maymon
- Type
- Movies
- Released
- 2014
- Runtime
- 90 min
- Country
- Israel, Germany
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Free
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





