feeldb

The Kingdom of Dreams and Madness

2013 · 118 min · Director: Mami Sunada ★ IMDb 7.7 · 6,025 ratings

Show plot summary (may contain spoilers)

Follows the routines of those employed at Studio Ghibli, including filmmakers Hayao Miyazaki, Isao Takahata, and Toshio Suzuki as they work to release two films simultaneously, The Wind Rises and The Tale of the Princess Kaguya.

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Emotional fingerprint

The Kingdom of Dreams and Madness (2013) — Movie. Top emotional signals: Awe 35%, Inspiration 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Awe35%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Awe, Inspiration, Nostalgia. Genres: Documentary. AI estimate.

Is it worth watching?

Consider this title if you are looking for Awe, Inspiration and Nostalgia. Its IMDb rating of 7.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 74/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Melancholy
  • Empathy
  • Curiosity

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Curiosity

Dominant emotion: Melancholy

Dominant emotion: Empathy

Dominant emotion: Inspiration

Melancholy
Empathy
Curiosity
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 78 %, then peaks around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityMelancholyEmpathyCuriosity
2.5 %≈ 3′Curiosity35 %4 %11 %37 %
7.5 %≈ 9′Curiosity40 %12 %20 %41 %
12.5 %≈ 15′Curiosity43 %22 %25 %43 %
17.5 %≈ 21′Curiosity42 %30 %23 %38 %
22.5 %≈ 27′Melancholy45 %36 %25 %39 %
27.5 %≈ 32′Curiosity46 %28 %28 %44 %
32.5 %≈ 38′Curiosity44 %15 %24 %45 %
37.5 %≈ 44′Curiosity47 %19 %23 %39 %
42.5 %≈ 50′Melancholy49 %37 %28 %31 %
47.5 %≈ 56′Melancholy48 %41 %32 %32 %
52.5 %≈ 62′Melancholy46 %34 %33 %37 %
57.5 %≈ 68′Curiosity48 %30 %37 %38 %
62.5 %≈ 74′Empathy53 %34 %47 %36 %
67.5 %≈ 80′Empathy53 %34 %45 %38 %
72.5 %≈ 86′Inspiration56 %38 %47 %36 %
77.5 %≈ 91′Empathy66 %43 %57 %26 %
82.5 %≈ 97′Inspiration62 %35 %50 %25 %
87.5 %≈ 103′Melancholy56 %40 %46 %29 %
92.5 %≈ 109′Melancholy59 %47 %46 %32 %
97.5 %≈ 115′Inspiration61 %38 %37 %32 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

IT
Isao Takahata

Self

YM
Yumiko Miyoshi

TS
Toshio Suzuki

TS
Toshio Suzuki

Self

HA
Hideaki Anno

Self

YN
Yoshiaki Nishimura

Self

JH
Joe Hisaishi

Self

GM
Gorô Miyazaki

Self

MY
Michiyo Yasuda

Self

Details

Directed by
Mami Sunada
Written by
Mami Sunada
Type
Movies
Released
2013
Runtime
118 min
Country
Japan
Ratings
★ IMDb 7.7 · 6,025 ratings
Feels mostly
Awe
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.