Bridget Jones: Mad About the Boy
2025 · 124 min · Director: Michael Morris
Show plot summary (may contain spoilers)
After jumping back into the dating pool, single mother Bridget Jones finds herself caught between a younger man and her son's science teacher.
Emotional fingerprint
Bridget Jones: Mad About the Boy (2025) — Movie. Top emotional signals: Humor 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Sadness, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Sadness and Love. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Humor
- Sadness
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Sadness | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 60 % | 58 % | 22 % | 25 % |
| 7.5 % | ≈ 9′ | Humor | 63 % | 53 % | 38 % | 39 % |
| 12.5 % | ≈ 16′ | Sadness | 63 % | 46 % | 44 % | 45 % |
| 17.5 % | ≈ 22′ | Humor | 56 % | 48 % | 28 % | 32 % |
| 22.5 % | ≈ 28′ | Humor | 53 % | 50 % | 16 % | 25 % |
| 27.5 % | ≈ 34′ | Humor | 53 % | 51 % | 11 % | 21 % |
| 32.5 % | ≈ 40′ | Humor | 56 % | 56 % | 8 % | 20 % |
| 37.5 % | ≈ 47′ | Humor | 61 % | 60 % | 5 % | 21 % |
| 42.5 % | ≈ 53′ | Humor | 60 % | 53 % | 3 % | 19 % |
| 47.5 % | ≈ 59′ | Joy | 55 % | 41 % | 8 % | 20 % |
| 52.5 % | ≈ 65′ | Humor | 51 % | 40 % | 19 % | 26 % |
| 57.5 % | ≈ 71′ | Humor | 54 % | 46 % | 33 % | 39 % |
| 62.5 % | ≈ 78′ | Humor | 63 % | 45 % | 49 % | 52 % |
| 67.5 % | ≈ 84′ | Sadness | 73 % | 29 % | 65 % | 61 % |
| 72.5 % | ≈ 90′ | Sadness | 71 % | 21 % | 59 % | 57 % |
| 77.5 % | ≈ 96′ | Humor | 64 % | 28 % | 38 % | 51 % |
| 82.5 % | ≈ 102′ | Empathy | 65 % | 33 % | 31 % | 55 % |
| 87.5 % | ≈ 109′ | Humor | 64 % | 43 % | 25 % | 45 % |
| 92.5 % | ≈ 115′ | Joy | 56 % | 39 % | 16 % | 26 % |
| 97.5 % | ≈ 121′ | Hope | 48 % | 20 % | 13 % | 17 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Chloe
Mabel Darcy
Billy Darcy
Nicolette
Details
- Directed by
- Michael Morris
- Written by
- Helen Fielding, Dan Mazer, Abi Morgan, Dan Mazer
- Type
- Movies
- Released
- 2025
- Runtime
- 124 min
- Country
- United Kingdom, France, United States
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
