The Class of '92
2013 · 98 min · Director: Gabe Turner, Ben Turner
Show plot summary (may contain spoilers)
The Class of 92, a cinematic documentary detailing the rise to prominence and global sporting superstardom of six supremely talented young Manchester United footballers (David Beckham, Nicky Butt, Ryan Giggs, Paul Scholes, Phil and Gary Neville). The film covers the period 1992-1999, culminating in Manchester United's European Cup triumph, and will dramatically interweave and mirror the highs and lows of its football odyssey with the immense social and cultural changes taking place in Britain at the time.
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Emotional fingerprint
The Class of '92 (2013) — Movie. Top emotional signals: Excitement 35%, Inspiration 25%, Nostalgia 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Excitement35%
- Inspiration25%
- Nostalgia20%
- Joy10%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Excitement, Inspiration, Nostalgia. Genres: Documentary, Sport. AI estimate.
Is it worth watching?
Consider this title if you are looking for Excitement, Inspiration and Nostalgia. Its IMDb rating of 7.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 75/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Joy
- Nostalgia
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Nostalgia
Dominant emotion: Joy
Dominant emotion: Sympathy
Dominant emotion: Humor
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Nostalgia | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 52 % | 23 % | 30 % | 37 % |
| 7.5 % | ≈ 7′ | Nostalgia | 50 % | 28 % | 36 % | 23 % |
| 12.5 % | ≈ 12′ | Joy | 54 % | 31 % | 39 % | 18 % |
| 17.5 % | ≈ 17′ | Sympathy | 60 % | 26 % | 39 % | 25 % |
| 22.5 % | ≈ 22′ | Sympathy | 59 % | 26 % | 43 % | 28 % |
| 27.5 % | ≈ 27′ | Nostalgia | 59 % | 35 % | 40 % | 34 % |
| 32.5 % | ≈ 32′ | Tension | 68 % | 48 % | 32 % | 44 % |
| 37.5 % | ≈ 37′ | Joy | 68 % | 53 % | 29 % | 40 % |
| 42.5 % | ≈ 42′ | Tension | 63 % | 40 % | 26 % | 35 % |
| 47.5 % | ≈ 47′ | Humor | 61 % | 30 % | 33 % | 23 % |
| 52.5 % | ≈ 51′ | Nostalgia | 56 % | 34 % | 40 % | 8 % |
| 57.5 % | ≈ 56′ | Humor | 60 % | 29 % | 30 % | 21 % |
| 62.5 % | ≈ 61′ | Sympathy | 68 % | 19 % | 24 % | 45 % |
| 67.5 % | ≈ 66′ | Nostalgia | 59 % | 28 % | 34 % | 41 % |
| 72.5 % | ≈ 71′ | Joy | 54 % | 45 % | 36 % | 30 % |
| 77.5 % | ≈ 76′ | Joy | 60 % | 46 % | 31 % | 38 % |
| 82.5 % | ≈ 81′ | Tension | 69 % | 43 % | 27 % | 58 % |
| 87.5 % | ≈ 86′ | Tension | 84 % | 64 % | 31 % | 57 % |
| 92.5 % | ≈ 91′ | Joy | 89 % | 77 % | 53 % | 25 % |
| 97.5 % | ≈ 96′ | Nostalgia | 82 % | 65 % | 72 % | 5 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Self
Self
Self
Self
Self
Details
- Directed by
- Gabe Turner, Ben Turner
- Type
- Movies
- Released
- 2013
- Runtime
- 98 min
- Country
- United Kingdom
- Genres
- Documentary, Sport
- Ratings
- Feels mostly
- Excitement
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





