Stefan Zweig: Farewell to Europe
2016 · 106 min · Director: Maria Schrader
Show plot summary (may contain spoilers)
In 1936, Stefan Zweig, the illustrious author of " 24 Hours of a Woman's Life" and "Letter from an Unknown Woman", leaves Austria for South America. Being Jewish and hating the inhumanity that prevails in Germany while threatening his native country, he has decided to escape the specter of Nazism. Brazil is his chosen country. He is immediately hailed at Rio de Janeiro's Jockey Club by the local jet set. But whereas expect him to take sides and to make a statement against Hitler and his clique, Zweig refuses to renounce his humanity and to indulge in over-simplification: he just cannot condemn Germany and its people. On the other hand, the great writer literally falls in love with Brazil and undertakes the writing of a new book about the country. Accompanied by Lotte, his second wife he explores different regions, including the most remote ones...
Emotional fingerprint
Stefan Zweig: Farewell to Europe (2016) — Movie. Top emotional signals: Melancholy 35%, Empathy 25%, Sadness 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Melancholy35%
- Empathy25%
- Sadness15%
- Awe15%
- Anxiety10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Melancholy, Empathy, Sadness. Genres: Drama, History, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Melancholy, Empathy and Sadness. Its IMDb rating of 6.7/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Melancholy
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Melancholy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Melancholy | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 25 % | 6 % | 9 % | 15 % |
| 7.5 % | ≈ 8′ | Empathy | 35 % | 12 % | 14 % | 22 % |
| 12.5 % | ≈ 13′ | Tension | 48 % | 16 % | 17 % | 26 % |
| 17.5 % | ≈ 19′ | Tension | 55 % | 19 % | 19 % | 30 % |
| 22.5 % | ≈ 24′ | Tension | 56 % | 30 % | 24 % | 38 % |
| 27.5 % | ≈ 29′ | Empathy | 51 % | 35 % | 27 % | 41 % |
| 32.5 % | ≈ 34′ | Tension | 44 % | 30 % | 25 % | 37 % |
| 37.5 % | ≈ 40′ | Tension | 46 % | 27 % | 24 % | 37 % |
| 42.5 % | ≈ 45′ | Joy | 48 % | 28 % | 28 % | 40 % |
| 47.5 % | ≈ 50′ | Empathy | 52 % | 36 % | 34 % | 47 % |
| 52.5 % | ≈ 56′ | Sadness | 60 % | 48 % | 44 % | 55 % |
| 57.5 % | ≈ 61′ | Melancholy | 61 % | 49 % | 53 % | 54 % |
| 62.5 % | ≈ 66′ | Melancholy | 62 % | 51 % | 54 % | 54 % |
| 67.5 % | ≈ 72′ | Empathy | 56 % | 45 % | 43 % | 50 % |
| 72.5 % | ≈ 77′ | Melancholy | 47 % | 35 % | 37 % | 39 % |
| 77.5 % | ≈ 82′ | Melancholy | 48 % | 28 % | 33 % | 35 % |
| 82.5 % | ≈ 87′ | Joy | 53 % | 24 % | 27 % | 36 % |
| 87.5 % | ≈ 93′ | Joy | 66 % | 46 % | 41 % | 49 % |
| 92.5 % | ≈ 98′ | Sadness | 80 % | 72 % | 64 % | 65 % |
| 97.5 % | ≈ 103′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Stefan Zweig: Farewell to Europe. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Lotte Zweig
Erna Feder
Mrs. Malamud
Paulina Koogan
Karl Hoeller
Leopold Stern
Maid
Joseph Brainin
Lady 1 Facenda
Details
- Directed by
- Maria Schrader
- Written by
- Maria Schrader, Jan Schomburg
- Type
- Movies
- Released
- 2016
- Runtime
- 106 min
- Country
- Austria, Germany, France
- Ratings
- Feels mostly
- Melancholy
- Data updated
Where to watch
Also on
Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
