Murder on the Orient Express
2017 · 114 min · Director: Kenneth Branagh
Show plot summary (may contain spoilers)
Hercule Poirot, the best detective in the world, decides to travel on the Orient Express. The train accidentally gets stopped because of a small avalanche. Little did he know that a murder was planned and that a person on this train was capable of committing such crime.
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Emotional fingerprint
Murder on the Orient Express (2017) — Movie. Top emotional signals: Curiosity 30%, Anticipation 25%, Confusion 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Curiosity30%
- Anticipation25%
- Confusion18%
- Tension15%
- Satisfaction12%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Curiosity, Anticipation, Confusion. Genres: Drama, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Curiosity, Anticipation and Confusion. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Curiosity
- Sadness
- Sympathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Sadness | Sympathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 42 % | 40 % | 3 % | 3 % |
| 7.5 % | ≈ 9′ | Curiosity | 39 % | 33 % | 5 % | 5 % |
| 12.5 % | ≈ 14′ | Humor | 38 % | 28 % | 4 % | 4 % |
| 17.5 % | ≈ 20′ | Humor | 35 % | 26 % | 5 % | 6 % |
| 22.5 % | ≈ 26′ | Humor | 35 % | 26 % | 10 % | 11 % |
| 27.5 % | ≈ 31′ | Tension | 45 % | 35 % | 15 % | 13 % |
| 32.5 % | ≈ 37′ | Tension | 55 % | 49 % | 16 % | 13 % |
| 37.5 % | ≈ 43′ | Curiosity | 60 % | 59 % | 24 % | 21 % |
| 42.5 % | ≈ 48′ | Curiosity | 60 % | 59 % | 38 % | 35 % |
| 47.5 % | ≈ 54′ | Curiosity | 53 % | 53 % | 31 % | 30 % |
| 52.5 % | ≈ 60′ | Curiosity | 50 % | 53 % | 21 % | 21 % |
| 57.5 % | ≈ 66′ | Curiosity | 55 % | 55 % | 24 % | 25 % |
| 62.5 % | ≈ 71′ | Curiosity | 57 % | 56 % | 20 % | 25 % |
| 67.5 % | ≈ 77′ | Curiosity | 58 % | 57 % | 21 % | 28 % |
| 72.5 % | ≈ 83′ | Curiosity | 61 % | 59 % | 35 % | 38 % |
| 77.5 % | ≈ 88′ | Curiosity | 69 % | 63 % | 49 % | 49 % |
| 82.5 % | ≈ 94′ | Sadness | 78 % | 58 % | 65 % | 64 % |
| 87.5 % | ≈ 100′ | Sadness | 83 % | 38 % | 75 % | 75 % |
| 92.5 % | ≈ 105′ | Sympathy | 80 % | 22 % | 72 % | 77 % |
| 97.5 % | ≈ 111′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Young Boy
Hotel Waiter
British Police Chief Inspector
Details
- Directed by
- Kenneth Branagh
- Written by
- Agatha Christie, Michael Green
- Type
- Movies
- Released
- 2017
- Runtime
- 114 min
- Country
- United States
- Ratings
- Feels mostly
- Curiosity
- Data updated
Where to watch
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Availability varies by country
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





