Night Will Fall
2014 · 75 min · Director: André Singer
Show plot summary (may contain spoilers)
April 1945. In Germany, as World War II was drawing to a close and the Allied Forces were swarming into Berlin, groups of freshly trained combat cameramen documented the gruesome scenes behind the recently liberated Nazi concentration camps. Named "German Concentration Camps Factual Survey", the 1945 documentary for the British government was produced by Sidney Bernstein, with Alfred Hitchcock's participation. For nearly seven decades, the film was shelved in the British archives and was abandoned without a public screening--for either political reasons or shifted Government priorities--to be ultimately completed by a team of historians and film scholars of the British Imperial War Museum, who meticulously restored the original footage. Intertwined with interviews of both survivors and liberators, as well as short newsreel films and raw footage from the original film, the 2014 documentary chronicles the atrocities that occurred in the concentration and labour camps of Bergen-Belsen, Auschwitz, Majdanek, Dachau, and Buchenwald, also including footage from Soviet cameramen. Without shying away, the camera pans on the German SS officers, lingering on the bony, emaciated faces of the piled-up-like-dolls bodies of men and women who were mercilessly thrown into pits during the mass-grave digging operations. However--even though the film documents a world of nightmare, exposing the undeniable truth of what has been going on within these camps--it also focuses on the healing process of the completely dehumanised survivors, in an attempt not only to serve as a testimony of the Nazi crimes, but also as an important lesson for all mankind.
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Emotional fingerprint
Night Will Fall (2014) — Movie. Top emotional signals: Disturbing 35%, Sadness 25%, Empathy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Disturbing35%
- Sadness25%
- Empathy15%
- Awe15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Disturbing, Sadness, Empathy. Genres: History, Documentary, War. AI estimate.
Is it worth watching?
Consider this title if you are looking for Disturbing, Sadness and Empathy. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Sympathy
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion: Sympathy
Dominant emotion: Relief
Dominant emotion: Anger
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Sympathy | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Disturbing | 38 % | 15 % | 18 % | 28 % |
| 7.5 % | ≈ 6′ | Disturbing | 55 % | 32 % | 34 % | 46 % |
| 12.5 % | ≈ 9′ | Sadness | 83 % | 69 % | 69 % | 77 % |
| 17.5 % | ≈ 13′ | Sadness | 86 % | 76 % | 75 % | 83 % |
| 22.5 % | ≈ 17′ | Disturbing | 73 % | 61 % | 57 % | 69 % |
| 27.5 % | ≈ 21′ | Sadness | 69 % | 56 % | 51 % | 64 % |
| 32.5 % | ≈ 24′ | Disturbing | 70 % | 57 % | 52 % | 65 % |
| 37.5 % | ≈ 28′ | Sadness | 82 % | 71 % | 70 % | 78 % |
| 42.5 % | ≈ 32′ | Sympathy | 89 % | 78 % | 84 % | 80 % |
| 47.5 % | ≈ 36′ | Sympathy | 85 % | 74 % | 81 % | 75 % |
| 52.5 % | ≈ 39′ | Disturbing | 88 % | 74 % | 76 % | 84 % |
| 57.5 % | ≈ 43′ | Disturbing | 88 % | 69 % | 66 % | 86 % |
| 62.5 % | ≈ 47′ | Disturbing | 84 % | 69 % | 63 % | 80 % |
| 67.5 % | ≈ 51′ | Sadness | 81 % | 65 % | 69 % | 65 % |
| 72.5 % | ≈ 54′ | Relief | 73 % | 48 % | 64 % | 44 % |
| 77.5 % | ≈ 58′ | Anger | 64 % | 44 % | 55 % | 35 % |
| 82.5 % | ≈ 62′ | Sympathy | 69 % | 56 % | 59 % | 43 % |
| 87.5 % | ≈ 66′ | Disturbing | 79 % | 66 % | 61 % | 64 % |
| 92.5 % | ≈ 69′ | Sadness | 83 % | 70 % | 63 % | 71 % |
| 97.5 % | ≈ 73′ | Sadness | 80 % | 67 % | 63 % | 58 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Narrator (German Concentration Camps Factual Survey) (voice)
Self - Imperial War Museums
Self (archive photos/voice)
Self (archive footage/photo)
Details
- Directed by
- André Singer
- Written by
- Lynette Singer
- Type
- Movies
- Released
- 2014
- Runtime
- 75 min
- Country
- United Kingdom
- Genres
- History, Documentary, War
- Ratings
- Feels mostly
- Disturbing
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





