feeldb

Night Will Fall

2014 · 75 min · Director: André Singer ★ IMDb 8 · 3,750 ratings

Show plot summary (may contain spoilers)

April 1945. In Germany, as World War II was drawing to a close and the Allied Forces were swarming into Berlin, groups of freshly trained combat cameramen documented the gruesome scenes behind the recently liberated Nazi concentration camps. Named "German Concentration Camps Factual Survey", the 1945 documentary for the British government was produced by Sidney Bernstein, with Alfred Hitchcock's participation. For nearly seven decades, the film was shelved in the British archives and was abandoned without a public screening--for either political reasons or shifted Government priorities--to be ultimately completed by a team of historians and film scholars of the British Imperial War Museum, who meticulously restored the original footage. Intertwined with interviews of both survivors and liberators, as well as short newsreel films and raw footage from the original film, the 2014 documentary chronicles the atrocities that occurred in the concentration and labour camps of Bergen-Belsen, Auschwitz, Majdanek, Dachau, and Buchenwald, also including footage from Soviet cameramen. Without shying away, the camera pans on the German SS officers, lingering on the bony, emaciated faces of the piled-up-like-dolls bodies of men and women who were mercilessly thrown into pits during the mass-grave digging operations. However--even though the film documents a world of nightmare, exposing the undeniable truth of what has been going on within these camps--it also focuses on the healing process of the completely dehumanised survivors, in an attempt not only to serve as a testimony of the Nazi crimes, but also as an important lesson for all mankind.

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Emotional fingerprint

Night Will Fall (2014) — Movie. Top emotional signals: Disturbing 35%, Sadness 25%, Empathy 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Awe15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Disturbing, Sadness, Empathy. Genres: History, Documentary, War. AI estimate.

Is it worth watching?

Consider this title if you are looking for Disturbing, Sadness and Empathy. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 73/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Sadness
  • Sympathy
  • Disturbing

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Disturbing

Dominant emotion: Sadness

Dominant emotion: Sympathy

Dominant emotion: Relief

Dominant emotion: Anger

Sadness
Sympathy
Disturbing
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then rises around 13 %, then peaks around 43 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensitySadnessSympathyDisturbing
2.5 %≈ 2′Disturbing38 %15 %18 %28 %
7.5 %≈ 6′Disturbing55 %32 %34 %46 %
12.5 %≈ 9′Sadness83 %69 %69 %77 %
17.5 %≈ 13′Sadness86 %76 %75 %83 %
22.5 %≈ 17′Disturbing73 %61 %57 %69 %
27.5 %≈ 21′Sadness69 %56 %51 %64 %
32.5 %≈ 24′Disturbing70 %57 %52 %65 %
37.5 %≈ 28′Sadness82 %71 %70 %78 %
42.5 %≈ 32′Sympathy89 %78 %84 %80 %
47.5 %≈ 36′Sympathy85 %74 %81 %75 %
52.5 %≈ 39′Disturbing88 %74 %76 %84 %
57.5 %≈ 43′Disturbing88 %69 %66 %86 %
62.5 %≈ 47′Disturbing84 %69 %63 %80 %
67.5 %≈ 51′Sadness81 %65 %69 %65 %
72.5 %≈ 54′Relief73 %48 %64 %44 %
77.5 %≈ 58′Anger64 %44 %55 %35 %
82.5 %≈ 62′Sympathy69 %56 %59 %43 %
87.5 %≈ 66′Disturbing79 %66 %61 %64 %
92.5 %≈ 69′Sadness83 %70 %63 %71 %
97.5 %≈ 73′Sadness80 %67 %63 %58 %
Man in a hole

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Cast

JB
Jasper Britton

JB
Jasper Britton

Narrator (German Concentration Camps Factual Survey) (voice)

LB
Leonard Berney

TH
Toby Haggith

Self - Imperial War Museums

RD
Richard Dimbleby

Self (archive photos/voice)

WC
Winston Churchill

Self (archive photo)

Alfred Hitchcock

Self (archive photos)

SB
Sidney Bernstein

Self (archive footage/photo)

Details

Directed by
André Singer
Written by
Lynette Singer
Type
Movies
Released
2014
Runtime
75 min
Country
United Kingdom
Ratings
★ IMDb 8 · 3,750 ratings
Feels mostly
Disturbing
Data updated

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Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.