Mommy
2014 · 138 min · Director: Xavier Dolan, Xavier Dolan
Show plot summary (may contain spoilers)
Forty-six year old Diane Després - "Die" - has been widowed for three years. Considered white trash by many, Die does whatever she needs, including strutting her body in front of male employers who will look, to make an honest living. That bread-winning ability is affected when she makes the decision to remove her only offspring, fifteen year old Steve Després, from her previously imposed institutionalization, one step below juvenile detention. She institutionalized him shortly following her husband's death due to Steve's attention deficit hyperactivity disorder (ADHD) and his violent outbursts. He was just kicked out of the latest in a long line of facilities for setting fire to the cafeteria, in turn injuring another boy. She made this decision to deinstitutionalize him as she didn't like the alternative, sending him into more restrictive juvenile detention from which he would probably never be rehabilitated. However, with this deinstitutionalization, she has to take care of him which means only being able to do home based work. Despite they always yelling expletives at each other and Steve sometimes demonstrating those violent tendencies toward her, Die and Steve truly do love each other, his emotions which are sometimes manifested as an Oedipus complex especially as he seems to need her complete attention most specifically when it is being directed at possible male suitors. Their lives, both individually and as a family, are affected with the entrance of two of their neighbors. The first is Paul, a lawyer, who does have that sexual interest in Die as he tries to help Steve through his legal problems. The second and more important is Kyla, who lives across the street with her husband Patrick and their adolescent daughter, they who are in transit in their life to wherever Patrick's job will take them. Kyla is a high school teacher on sabbatical as she deals with her own emotional issues, which are manifested in stuttering whenever she feels incapable of dealing with her life. Kyla may find that she needs the Després as much as they need her.
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Emotional fingerprint
Mommy (2014) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 8.0/10 suggests a strong audience reception. For these leading emotions, its Feel Score is 74/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Empathy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Empathy
Dominant emotion: Humor
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Empathy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 47 % | 38 % | 30 % | 23 % |
| 7.5 % | ≈ 10′ | Empathy | 46 % | 36 % | 31 % | 23 % |
| 12.5 % | ≈ 17′ | Humor | 45 % | 37 % | 29 % | 16 % |
| 17.5 % | ≈ 24′ | Tension | 55 % | 51 % | 34 % | 18 % |
| 22.5 % | ≈ 31′ | Tension | 66 % | 64 % | 39 % | 28 % |
| 27.5 % | ≈ 38′ | Tension | 59 % | 49 % | 34 % | 28 % |
| 32.5 % | ≈ 45′ | Humor | 48 % | 24 % | 30 % | 18 % |
| 37.5 % | ≈ 52′ | Humor | 55 % | 32 % | 34 % | 20 % |
| 42.5 % | ≈ 59′ | Tension | 64 % | 49 % | 36 % | 28 % |
| 47.5 % | ≈ 66′ | Humor | 54 % | 29 % | 34 % | 21 % |
| 52.5 % | ≈ 72′ | Humor | 46 % | 18 % | 33 % | 14 % |
| 57.5 % | ≈ 79′ | Humor | 45 % | 30 % | 30 % | 11 % |
| 62.5 % | ≈ 86′ | Humor | 53 % | 45 % | 35 % | 21 % |
| 67.5 % | ≈ 93′ | Tension | 69 % | 58 % | 51 % | 41 % |
| 72.5 % | ≈ 100′ | Empathy | 66 % | 44 % | 58 % | 41 % |
| 77.5 % | ≈ 107′ | Empathy | 57 % | 34 % | 45 % | 26 % |
| 82.5 % | ≈ 114′ | Tension | 68 % | 57 % | 44 % | 35 % |
| 87.5 % | ≈ 121′ | Sadness | 78 % | 65 % | 61 % | 59 % |
| 92.5 % | ≈ 128′ | Sadness | 68 % | 39 % | 59 % | 55 % |
| 97.5 % | ≈ 135′ | Hope | 55 % | 22 % | 43 % | 38 % |
Icarus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Paul
Patrick
Director of Correctional Center
Marthe
Natacha
Kyla's Daughter
Taxi Driver
Security Guard
Security Guard
Karaoke DJ
Bookshop Cashier
Billiard Player
Billiard Player
Billiard Player
Billiard Player's Girlfriend
Billiard Player's Girlfriend
Details
- Directed by
- Xavier Dolan, Xavier Dolan
- Written by
- Xavier Dolan, Xavier Dolan
- Type
- Movies
- Released
- 2014
- Runtime
- 138 min
- Country
- Canada
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
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