Death in Buenos Aires
2014 · 93 min · Director: Natalia Meta
Show plot summary (may contain spoilers)
Buenos Aires in the 1980s. Detective Chavez, a family man and a tough cop, once again must solve a mysterious crime. To reveal the identity of the murderer, Chavez must clarify the enigma waiting in ambush to capture his own heart. Passion surprises even the most astute detective. What will triumph: law or desire?
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Emotional fingerprint
Death in Buenos Aires (2014) — Movie. Top emotional signals: Tension 30%, Love 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Tension30%
- Love25%
- Curiosity20%
- Anxiety15%
- Melancholy10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Tension, Love, Curiosity. Genres: Drama, Mystery, Crime. AI estimate.
Is it worth watching?
Consider this title if you are looking for Tension, Love and Curiosity. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Tension
Dominant emotion: Humor
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Curiosity | 43 % | 35 % | 43 % | 3 % |
| 7.5 % | ≈ 7′ | Curiosity | 43 % | 30 % | 49 % | 9 % |
| 12.5 % | ≈ 12′ | Curiosity | 43 % | 28 % | 50 % | 15 % |
| 17.5 % | ≈ 16′ | Curiosity | 45 % | 33 % | 44 % | 14 % |
| 22.5 % | ≈ 21′ | Tension | 53 % | 45 % | 38 % | 9 % |
| 27.5 % | ≈ 26′ | Tension | 55 % | 44 % | 35 % | 8 % |
| 32.5 % | ≈ 30′ | Humor | 45 % | 25 % | 36 % | 5 % |
| 37.5 % | ≈ 35′ | Curiosity | 36 % | 18 % | 38 % | 4 % |
| 42.5 % | ≈ 40′ | Curiosity | 38 % | 19 % | 34 % | 8 % |
| 47.5 % | ≈ 44′ | Love | 43 % | 23 % | 30 % | 13 % |
| 52.5 % | ≈ 49′ | Tension | 54 % | 44 % | 35 % | 16 % |
| 57.5 % | ≈ 53′ | Tension | 64 % | 61 % | 45 % | 16 % |
| 62.5 % | ≈ 58′ | Curiosity | 65 % | 63 % | 53 % | 18 % |
| 67.5 % | ≈ 63′ | Tension | 68 % | 63 % | 54 % | 30 % |
| 72.5 % | ≈ 67′ | Sadness | 66 % | 57 % | 55 % | 39 % |
| 77.5 % | ≈ 72′ | Curiosity | 65 % | 59 % | 60 % | 30 % |
| 82.5 % | ≈ 77′ | Tension | 73 % | 71 % | 59 % | 29 % |
| 87.5 % | ≈ 81′ | Tension | 78 % | 78 % | 52 % | 40 % |
| 92.5 % | ≈ 86′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 97.5 % | ≈ 91′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Morales
Ana
Blanca
Calígula
Sastre
Empresario Suite Manila
Kevin the Bodybuilder
Miguel
Copito
Polo Man
Details
- Directed by
- Natalia Meta
- Written by
- Natalia Meta, Laura Farhi, Gustavo Malajovich, Gustavo Malajovich, Luz Orlando Brennan
- Type
- Movies
- Released
- 2014
- Runtime
- 93 min
- Country
- Argentina
- Ratings
- Feels mostly
- Tension
- Data updated
Where to watch
Rent
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