feeldb

Standoff

2016 · 80 min · Director: Adam Alleca ★ IMDb 6.1 · 9,823 ratings

Show plot summary (may contain spoilers)

Carter (Thomas Jane), a troubled veteran, gets a chance at redemption by protecting a 12-year-old girl from an assassin (Laurence Fishburne) after she witnesses a murder. Holding a shotgun with a single shell, he engages in physical and psychological warfare in a desperate fight for the girl's life.

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Emotional fingerprint

Standoff (2016) — Movie. Top emotional signals: Tension 35%, Fear 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Fear
  1. Fear25%
  2. Relief10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Tension, Fear, Empathy. Genres: Drama, Crime, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Tension, Fear and Empathy. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Fear
  • Empathy

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Sadness

Dominant emotion: Tension

Dominant emotion: Relief

Tension
Fear
Empathy
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 68 %, then dips around 83 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionFearEmpathy
2.5 %≈ 2′Sadness56 %36 %27 %30 %
7.5 %≈ 6′Tension76 %68 %61 %41 %
12.5 %≈ 10′Tension86 %85 %74 %46 %
17.5 %≈ 14′Tension83 %82 %64 %42 %
22.5 %≈ 18′Tension81 %71 %52 %52 %
27.5 %≈ 22′Sadness74 %56 %38 %62 %
32.5 %≈ 26′Tension73 %63 %42 %51 %
37.5 %≈ 30′Tension80 %66 %47 %47 %
42.5 %≈ 34′Sadness85 %53 %33 %67 %
47.5 %≈ 38′Sadness84 %61 %38 %77 %
52.5 %≈ 42′Tension83 %77 %53 %64 %
57.5 %≈ 46′Tension85 %85 %62 %52 %
62.5 %≈ 50′Tension91 %90 %73 %56 %
67.5 %≈ 54′Tension93 %91 %78 %61 %
72.5 %≈ 58′Tension88 %87 %71 %51 %
77.5 %≈ 62′Tension79 %76 %56 %40 %
82.5 %≈ 66′Tension76 %72 %53 %43 %
87.5 %≈ 70′Tension87 %84 %69 %61 %
92.5 %≈ 74′Tension92 %88 %75 %74 %
97.5 %≈ 78′Relief88 %79 %62 %74 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

Kadri — your film companion

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Feeling details appear after at least 3 viewers respond, to protect privacy.

Cast

Thomas Jane

Carter

EB
Ella Ballentine

JW
Jim Watson

Officer Baker

TA
Ted Atherton

The Priest

JT
John Tench

Roger

DR
Darcy Roy

Bodyguard

JD
J.J. Dimichele

Sam

CP
Craig Porritt

Dispatcher

Details

Directed by
Adam Alleca
Written by
Adam Alleca
Type
Movies
Released
2016
Runtime
80 min
Country
Canada, United States
Ratings
★ IMDb 6.1 · 9,823 ratings
Feels mostly
Tension
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.