The Disappearance of Eleanor Rigby: Them
2014 · 119 min · Director: Ned Benson
Show plot summary (may contain spoilers)
Following the death of their only offspring, an infant son named Cody, married New Yorkers Conor Ludlow and Eleanor Rigby - a struggling restaurateur and an academic working on her Ph.D. in Anthropology before Cody arrived in their lives - hit a rough spot in their relationship. Although still loving Conor, El is uncertain if she can bear what Conor represents to her and bear the grief even if Conor is no longer in her life. Following an incident, El decides to disappear from Conor's life, she taking refuge at the suburban home of her parents Julian and Mary Rigby, an academic himself and a musician respectively. Just to keep her mind active and off the thought of Conor or Cody, Julian suggests to El that she return to college and he pulls some strings for El possibly to enter into his colleague Professor Lilian Friedman's class. Despite being a therapist himself, he also tries to get El to see a therapist to deal with her grief. Meanwhile, Conor is facing his own emotional and professional problems, he believing his life being clear when he was with El. The restaurant was in part following his father Spencer Ludlow's professional footsteps, although Conor does not like to believe he is anything like his father in temperament, he who is on his third marriage, each of the previous two which failed. As Conor tries to locate El, he also has to deal with the downward slide of the restaurant, which he opened in another part as a cooperative arrangement with classically trained chef Stuart, a longtime friend who nonetheless doesn't treat cooking with much seriousness. Conor also has to deal with the logistics of packing up his and El's apartment which includes what to do with Cody's belongings. In his loneliness, Conor may fall prey to other women despite still loving El himself. With these two parallel tracks, the question becomes if they can find each other again both physically and emotionally.
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Emotional fingerprint
The Disappearance of Eleanor Rigby: Them (2014) — Movie. Top emotional signals: Sadness 35%, Melancholy 25%, Empathy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Sadness35%
- Melancholy25%
- Empathy20%
- Love10%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Sadness, Melancholy, Empathy. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Sadness, Melancholy and Empathy. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Love | 67 % | 17 % | 27 % | 47 % |
| 7.5 % | ≈ 9′ | Sadness | 58 % | 35 % | 38 % | 27 % |
| 12.5 % | ≈ 15′ | Sadness | 46 % | 40 % | 40 % | 18 % |
| 17.5 % | ≈ 21′ | Humor | 41 % | 33 % | 37 % | 19 % |
| 22.5 % | ≈ 27′ | Empathy | 47 % | 36 % | 42 % | 22 % |
| 27.5 % | ≈ 33′ | Sadness | 59 % | 50 % | 52 % | 24 % |
| 32.5 % | ≈ 39′ | Sadness | 60 % | 53 % | 54 % | 20 % |
| 37.5 % | ≈ 45′ | Sadness | 52 % | 42 % | 47 % | 22 % |
| 42.5 % | ≈ 51′ | Sadness | 54 % | 45 % | 48 % | 27 % |
| 47.5 % | ≈ 57′ | Sadness | 60 % | 55 % | 54 % | 25 % |
| 52.5 % | ≈ 62′ | Sadness | 59 % | 52 % | 52 % | 18 % |
| 57.5 % | ≈ 68′ | Tension | 57 % | 47 % | 49 % | 20 % |
| 62.5 % | ≈ 74′ | Sadness | 59 % | 49 % | 48 % | 27 % |
| 67.5 % | ≈ 80′ | Tension | 66 % | 57 % | 52 % | 27 % |
| 72.5 % | ≈ 86′ | Sadness | 69 % | 63 % | 60 % | 27 % |
| 77.5 % | ≈ 92′ | Sadness | 64 % | 60 % | 62 % | 30 % |
| 82.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 87.5 % | ≈ 104′ | Sadness | 82 % | 75 % | 78 % | 70 % |
| 92.5 % | ≈ 110′ | Love | 57 % | 45 % | 51 % | 49 % |
| 97.5 % | ≈ 116′ | Love | 32 % | 22 % | 25 % | 27 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Philip
Casimir Waiter
Guy Walking on Bridge
Coffee Truck Barista
Bar Fight Guy
Bar Fight Girl
Ukrainian Cabbie
Details
- Directed by
- Ned Benson
- Written by
- Ned Benson
- Type
- Movies
- Released
- 2014
- Runtime
- 119 min
- Country
- United States
- Ratings
- Feels mostly
- Sadness
- Data updated
Where to watch
Free
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.



