Labyrinth of Lies
2014 · 122 min · Director: Giulio Ricciarelli
Show plot summary (may contain spoilers)
The year is 1958. The war has been over for thirteen years and the Federal Republic of Germany is not only recovering but even booming. But where are the Nazis? Who has ever heard of the death camps? It looks as if everything is for the best in the best of all possible worlds in this land of milk and honey - At least, until the day journalist Thomas Gnielka reports on the recognition by a German-Jewish artist of a local schoolteacher, a former guard at the Auschwitz concentration camp - At least, until Johann Radmann, a young prosecutor, decides to investigate the case - Nobody knows it yet but this is the dawn of a new era. Even if the road to awareness will be long and rocky.
Emotional fingerprint
Labyrinth of Lies (2014) — Movie. Top emotional signals: Anxiety 30%, Tension 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Tension25%
- Sadness20%
- Guilt15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Tension, Sadness. Genres: Drama, History. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Tension and Sadness. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 72/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Disturbing
- Sadness
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Tension
Dominant emotion: Disturbing
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Disturbing | Sadness | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Hope | 33 % | 21 % | 5 % | 10 % |
| 7.5 % | ≈ 9′ | Tension | 40 % | 31 % | 12 % | 16 % |
| 12.5 % | ≈ 15′ | Disturbing | 47 % | 39 % | 24 % | 28 % |
| 17.5 % | ≈ 21′ | Empathy | 50 % | 36 % | 28 % | 36 % |
| 22.5 % | ≈ 27′ | Hope | 59 % | 39 % | 35 % | 45 % |
| 27.5 % | ≈ 34′ | Sadness | 64 % | 51 % | 46 % | 51 % |
| 32.5 % | ≈ 40′ | Disturbing | 68 % | 63 % | 53 % | 55 % |
| 37.5 % | ≈ 46′ | Sadness | 81 % | 78 % | 69 % | 69 % |
| 42.5 % | ≈ 52′ | Disturbing | 77 % | 74 % | 61 % | 60 % |
| 47.5 % | ≈ 58′ | Disturbing | 63 % | 55 % | 32 % | 30 % |
| 52.5 % | ≈ 64′ | Tension | 69 % | 56 % | 29 % | 27 % |
| 57.5 % | ≈ 70′ | Disturbing | 73 % | 65 % | 37 % | 36 % |
| 62.5 % | ≈ 76′ | Hope | 71 % | 66 % | 44 % | 45 % |
| 67.5 % | ≈ 82′ | Sadness | 73 % | 61 % | 54 % | 53 % |
| 72.5 % | ≈ 88′ | Tension | 75 % | 55 % | 55 % | 47 % |
| 77.5 % | ≈ 95′ | Sadness | 78 % | 64 % | 61 % | 50 % |
| 82.5 % | ≈ 101′ | Disturbing | 84 % | 66 % | 72 % | 69 % |
| 87.5 % | ≈ 107′ | Empathy | 86 % | 39 % | 66 % | 77 % |
| 92.5 % | ≈ 113′ | Hope | 82 % | 26 % | 49 % | 65 % |
| 97.5 % | ≈ 119′ | Hope | 76 % | 40 % | 47 % | 53 % |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Labyrinth of Lies. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Sekretärin Schmittchen
Generalstaatsanwalt Fritz Bauer
Amtsrichter
Conny
Kathi
Junger Polizist
Richard Baer
Marlenes Vater
Josef Bichinsky
Major Parker
Lehrer Alois Schulz
Robert Mulka
Hans Lichter
Hermann Langbein
Details
- Directed by
- Giulio Ricciarelli
- Written by
- Giulio Ricciarelli, Elisabeth Burghardt, Amelie Syberberg, Elisabeth Bartel
- Type
- Movies
- Released
- 2014
- Runtime
- 122 min
- Country
- Germany
- Ratings
- Feels mostly
- Anxiety
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
