feeldb

King Jack

2015 · 81 min · Director: Felix Thompson ★ IMDb 6.9 · 3,560 ratings

Show plot summary (may contain spoilers)

Trapped in a violent feud with a cruel older bully and facing another bout of summer school, Jack's got all the problems he can handle. So when Jack's aunt falls ill and his runty younger cousin must stay with him for the weekend the last thing Jack wants to do is look after him. Unfortunately no one really cares what Jack wants.

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Emotional fingerprint

King Jack (2015) — Movie. Top emotional signals: Anxiety 30%, Empathy 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Hope10%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Empathy, Sadness. Genres: Drama, Adventure. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Empathy and Sadness. Its IMDb rating of 6.9/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Empathy
  • Tension
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Empathy

Dominant emotion: Humor

Dominant emotion: Relief

Empathy
Tension
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 3 %, then peaks around 53 %, then peaks around 83 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityEmpathyTensionSadness
2.5 %≈ 2′Tension31 %18 %27 %10 %
7.5 %≈ 6′Sadness36 %24 %30 %15 %
12.5 %≈ 10′Tension44 %31 %36 %20 %
17.5 %≈ 14′Empathy45 %39 %31 %25 %
22.5 %≈ 18′Empathy43 %41 %20 %21 %
27.5 %≈ 22′Humor48 %43 %25 %16 %
32.5 %≈ 26′Tension54 %43 %39 %18 %
37.5 %≈ 30′Humor48 %34 %34 %11 %
42.5 %≈ 34′Humor53 %36 %40 %10 %
47.5 %≈ 38′Tension75 %56 %70 %25 %
52.5 %≈ 43′Tension85 %66 %80 %34 %
57.5 %≈ 47′Relief78 %64 %58 %38 %
62.5 %≈ 51′Sadness76 %70 %28 %57 %
67.5 %≈ 55′Sadness69 %68 %15 %59 %
72.5 %≈ 59′Relief56 %46 %29 %29 %
77.5 %≈ 63′Tension68 %48 %62 %23 %
82.5 %≈ 67′Tension85 %66 %73 %39 %
87.5 %≈ 71′Relief80 %69 %41 %41 %
92.5 %≈ 75′Relief65 %53 %13 %39 %
97.5 %≈ 79′Sadness53 %32 %8 %42 %
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

CN
Cory Nichols

CM
Christian Madsen

CM
Christian Madsen

Tom

DF
Danny Flaherty

Shane

ED
Erin Davie

Karen

CL
Chloë Levine

Holly

KL
Keith Leonard

Officer Pete

YY
Yainis Ynoa

Harriet

ER
Elijah Richardson

Malcom

MM
Melvin Mogoli

Details

Directed by
Felix Thompson
Written by
Felix Thompson
Type
Movies
Released
2015
Runtime
81 min
Country
United States
Ratings
★ IMDb 6.9 · 3,560 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.