Mary Shelley
2017 · 120 min · Director: Haifaa Al-Mansour
Show plot summary (may contain spoilers)
In 1814, Regency-era London, Mary Wollstonecraft-Godwin is a 16 years old aspiring writer who works in the bookshop of her renowned father writer William Godwin, married in second terms after the passing of his first wife, philosopher Mary Wollstonecraft, with the too married by second time Mary Jane Clairmont, where Mary Jane's daughter of her first marriage Claire turns in a close and lovely stepsister for Mary. When Mary and Claire travel at the house of one of William's friends in Scotland, Mary meets the 21 years old poet Percy Bysshe Shelley, rising instantly a love interest between them. Returning to London little time later, Mary unexpectedly meets Percy again when he appears at her house in order to ask William to take him on as an apprentice. Fascinated by Percy, Mary begins a bohemian and torrid relationship with him despite the opposition of her father and her stepmother, especially after they discover that Percy is married with a little daughter whom he supports but he loves no longer. Determined to be free and live on her own terms, Mary flees with Percy to live together accompanied by Claire, who wants to get far from her abusive mother. Their initial happiness turns to tragedy due to the debts and poverty, in addition to the terrible loss of Mary and Percy's daughter, who dies only a few months after to born. Broken by suffering and pain, as well as a season living with the rich, eccentric and hedonist Lord Byron and doctor John Polidori, Mary turns into a shadowy being, becoming more and more obsessed with the idea of resurrecting the dead, while Claire lives a stormy and painful romance with the own Byron. All these events will lead Mary, motivated by a Lord Byron's bet about who can write the scariest horror novel, to find her own voice and exorcise her innermost demons by writing "Frankenstein; or The Modern Prometheus". But when prejudices of these times cause the novel to be attributed to Percy Shelley, it forces Mary to fight by claiming the novel as her own to prove that a woman can be the writer as she is.
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Emotional fingerprint
Mary Shelley (2017) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Sadness25%
- Love20%
- Anxiety15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Love. Genres: Drama, History, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Love. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Love
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion: Inspiration
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Love | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 41 % | 16 % | 8 % | 23 % |
| 7.5 % | ≈ 9′ | Sadness | 43 % | 23 % | 14 % | 21 % |
| 12.5 % | ≈ 15′ | Curiosity | 44 % | 21 % | 28 % | 13 % |
| 17.5 % | ≈ 21′ | Love | 46 % | 18 % | 41 % | 17 % |
| 22.5 % | ≈ 27′ | Love | 50 % | 19 % | 43 % | 32 % |
| 27.5 % | ≈ 33′ | Love | 54 % | 23 % | 43 % | 43 % |
| 32.5 % | ≈ 39′ | Love | 57 % | 28 % | 47 % | 42 % |
| 37.5 % | ≈ 45′ | Love | 53 % | 31 % | 44 % | 33 % |
| 42.5 % | ≈ 51′ | Love | 50 % | 34 % | 28 % | 38 % |
| 47.5 % | ≈ 57′ | Sadness | 61 % | 49 % | 24 % | 53 % |
| 52.5 % | ≈ 63′ | Sadness | 74 % | 66 % | 38 % | 49 % |
| 57.5 % | ≈ 69′ | Sadness | 72 % | 68 % | 36 % | 36 % |
| 62.5 % | ≈ 75′ | Sadness | 62 % | 54 % | 19 % | 40 % |
| 67.5 % | ≈ 81′ | Sadness | 63 % | 53 % | 11 % | 51 % |
| 72.5 % | ≈ 87′ | Sadness | 68 % | 61 % | 8 % | 46 % |
| 77.5 % | ≈ 93′ | Sadness | 66 % | 59 % | 7 % | 38 % |
| 82.5 % | ≈ 99′ | Sadness | 63 % | 53 % | 9 % | 42 % |
| 87.5 % | ≈ 105′ | Sadness | 65 % | 48 % | 19 % | 40 % |
| 92.5 % | ≈ 111′ | Inspiration | 70 % | 43 % | 31 % | 28 % |
| 97.5 % | ≈ 117′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Harriet Shelley
Thomas Hogg
Bookseller
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Details
- Directed by
- Haifaa Al-Mansour
- Written by
- Haifaa Al-Mansour, Emma Jensen
- Type
- Movies
- Released
- 2017
- Runtime
- 120 min
- Country
- United Kingdom, Luxembourg, United States, Ireland, Australia
- Ratings
- Feels mostly
- Empathy
- Data updated
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