feeldb

What a Beautiful Surprise

2015 · 91 min · Director: Alessandro Genovesi, Alessandro Genovesi ★ IMDb 5.8 · 1,177 ratings

Show plot summary (may contain spoilers)

A romantic professor Guido is left by his love - his life seems to be pointless. A physical education teacher, his former student tries to help him to go back on track, convincing his parents to move to Naples to be closer to Guido.

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Emotional fingerprint

What a Beautiful Surprise (2015) — Movie. Top emotional signals: Surprise 30%, Joy 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

25%Joy
20%Humor
  1. Joy25%
  2. Humor20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Surprise, Joy, Humor. Genres: Comedy. AI estimate.

Is it worth watching?

Consider this title if you are looking for Surprise, Joy and Humor. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.

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Emotional journey

AI · from subtitles
  • Humor
  • Sadness
  • Surprise

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Sadness

Dominant emotion: Love

Dominant emotion: Surprise

Humor
Sadness
Surprise
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values. Not enough subtitle evidence
Ending hidden

Dominant emotion

Intensity dips around 3 %, then dips around 78 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityHumorSadnessSurprise
2.5 %≈ 2′Humor50 %40 %18 %12 %
7.5 %≈ 7′Sadness59 %36 %44 %25 %
12.5 %≈ 11′Sadness64 %40 %55 %32 %
17.5 %≈ 16′Humor57 %48 %43 %21 %
22.5 %≈ 20′Humor50 %49 %31 %13 %
27.5 %≈ 25′Humor50 %48 %21 %18 %
32.5 %≈ 30′Love56 %50 %13 %23 %
37.5 %≈ 34′Humor63 %51 %10 %21 %
42.5 %≈ 39′Love64 %49 %13 %25 %
47.5 %≈ 43′Humor57 %48 %15 %29 %
52.5 %≈ 48′Humor49 %43 %15 %23 %
57.5 %≈ 52′Humor51 %34 %24 %31 %
62.5 %≈ 57′Surprise61 %32 %39 %46 %
67.5 %≈ 61′Sadness58 %39 %40 %32 %
72.5 %≈ 66′Humor49 %43 %35 %16 %
77.5 %≈ 71′Sadness49 %39 %38 %18 %
82.5 %≈ 75′Love51 %36 %38 %20 %
87.5 %≈ 80′Humor57 %40 %36 %21 %
92.5 %≈ 84′Love65 %42 %38 %25 %
97.5 %≈ 89′Not enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidenceNot enough subtitle evidence
Cinderella

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

CB
Chiara Baschetti

Silvia

Renato Pozzetto

Giovanni

OV
Ornella Vanoni

Carla

GR
Galatea Ranzi

Psichiatra

FP
Franco Pinelli

Osvaldo

AA
Anna Ammirati

Anna

EC
Enzo Casertano

Portiere

GC
Gennaro Cuomo

Rotummo

MB
Maria Bolignano

LD
Luigi D'Oriano

Terenzio minore

AD
Annamaria De Matteo

Commessa

Details

Type
Movies
Released
2015
Runtime
91 min
Country
Italy
Genres
Comedy
Ratings
★ IMDb 5.8 · 1,177 ratings
Feels mostly
Surprise
Data updated

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Emotion overlap shows mood similarity, not a prediction of enjoyment.