feeldb

Polar

2019 · 118 min · Director: Jonas Åkerlund ★ IMDb 6.3 · 108,944 ratings

Show plot summary (may contain spoilers)

A retiring assassin suddenly finds himself on the receiving end of a hit, contracted by none other than his own employer seeking to cash in on the pensions of aging employees.

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Emotional fingerprint

Polar (2019) — Movie. Top emotional signals: Excitement 35%, Tension 25%, Fear 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

  1. Fear20%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Excitement, Tension, Fear. Genres: Thriller, Crime, Action. AI estimate.

Is it worth watching?

Consider this title if you are looking for Excitement, Tension and Fear. Its IMDb rating of 6.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 67/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Disturbing
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Humor

Dominant emotion: Tension

Dominant emotion: Sadness

Dominant emotion: Disturbing

Tension
Disturbing
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then peaks around 88 %, then dips around 98 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionDisturbingSadness
2.5 %≈ 3′Humor42 %27 %10 %2 %
7.5 %≈ 9′Humor38 %23 %9 %4 %
12.5 %≈ 15′Humor36 %24 %10 %5 %
17.5 %≈ 21′Humor45 %39 %23 %6 %
22.5 %≈ 27′Tension55 %54 %35 %9 %
27.5 %≈ 32′Tension54 %53 %34 %10 %
32.5 %≈ 38′Tension54 %50 %35 %10 %
37.5 %≈ 44′Tension57 %49 %43 %9 %
42.5 %≈ 50′Humor59 %39 %41 %21 %
47.5 %≈ 56′Sadness65 %43 %36 %35 %
52.5 %≈ 62′Tension72 %64 %42 %21 %
57.5 %≈ 68′Tension73 %71 %54 %11 %
62.5 %≈ 74′Tension73 %69 %64 %20 %
67.5 %≈ 80′Disturbing79 %75 %66 %24 %
72.5 %≈ 86′Tension80 %79 %56 %20 %
77.5 %≈ 91′Tension79 %79 %51 %18 %
82.5 %≈ 97′Tension84 %73 %50 %35 %
87.5 %≈ 103′Sadness89 %60 %46 %69 %
92.5 %≈ 109′Sadness75 %44 %33 %64 %
97.5 %≈ 115′Not enough subtitle evidence52 %23 %15 %30 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Afterward Reveal viewer responses · may contain spoilers

Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

IC
Inga Cadranel

Regina

FR
Fei Ren

Hilde

RO
Ruby O. Fee

Sindy

AG
Anthony Grant

Facundo

JC
Josh Cruddas

Alexei

LY
Lovina Yavari

Junkie Jane

AI
Ayisha Issa

Jazmin

AM
Anastasia Marinina

Evalina

JF
Jill Frappier

Doris

NR
Nia Roam

Ginny

Johnny Knoxville

Michael Green

RL
Roman Lebeau

Donald

Details

Directed by
Jonas Åkerlund
Written by
Jayson Rothwell, Víctor Santos
Type
Movies
Released
2019
Runtime
118 min
Country
United States, Germany
Ratings
★ IMDb 6.3 · 108,944 ratings
Feels mostly
Excitement
Data updated

Where to watch

Also on

Availability varies by country

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.