The Propaganda Game
2015 · 94 min · Director: Álvaro Longoria
Show plot summary (may contain spoilers)
North Korea, formerly known as the hermit kingdom, is perhaps the largest source of instability as regards world peace. Its border is one of the most militarized in the world. The lack of impartial information, both inside and coming out of the country, is the perfect setting for a propaganda war, which will be analyzed in the film through numerous examples of the surprising way in which information is manipulated, in and about North Korea. Alejandro Cao de Benos, the sole foreigner who works for the DPRK Government, and many locals will show us their vision of the reality in North Korea. The other side of the story will be reflected through interviews to South Korean citizens, human rights advocates, diplomats, propaganda experts, etc.
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Emotional fingerprint
The Propaganda Game (2015) — Movie. Top emotional signals: Curiosity 30%, Confusion 25%, Anxiety 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Curiosity30%
- Confusion25%
- Anxiety20%
- Awe15%
- Disturbing10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Curiosity, Confusion, Anxiety. Genres: Documentary. AI estimate.
Is it worth watching?
Consider this title if you are looking for Curiosity, Confusion and Anxiety. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Emotional journey
- Curiosity
- Disturbing
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Disturbing
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Curiosity | Disturbing | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Tension | 62 % | 58 % | 37 % | 25 % |
| 7.5 % | ≈ 7′ | Curiosity | 56 % | 60 % | 29 % | 19 % |
| 12.5 % | ≈ 12′ | Curiosity | 54 % | 55 % | 30 % | 21 % |
| 17.5 % | ≈ 16′ | Tension | 57 % | 48 % | 38 % | 21 % |
| 22.5 % | ≈ 21′ | Tension | 56 % | 46 % | 38 % | 18 % |
| 27.5 % | ≈ 26′ | Curiosity | 49 % | 50 % | 31 % | 15 % |
| 32.5 % | ≈ 31′ | Curiosity | 48 % | 55 % | 30 % | 11 % |
| 37.5 % | ≈ 35′ | Curiosity | 51 % | 56 % | 36 % | 11 % |
| 42.5 % | ≈ 40′ | Curiosity | 50 % | 54 % | 39 % | 13 % |
| 47.5 % | ≈ 45′ | Curiosity | 48 % | 55 % | 35 % | 13 % |
| 52.5 % | ≈ 49′ | Curiosity | 51 % | 57 % | 38 % | 15 % |
| 57.5 % | ≈ 54′ | Curiosity | 61 % | 55 % | 54 % | 29 % |
| 62.5 % | ≈ 59′ | Disturbing | 66 % | 51 % | 60 % | 46 % |
| 67.5 % | ≈ 63′ | Sadness | 61 % | 51 % | 51 % | 48 % |
| 72.5 % | ≈ 68′ | Disturbing | 56 % | 54 % | 49 % | 36 % |
| 77.5 % | ≈ 73′ | Curiosity | 54 % | 56 % | 46 % | 26 % |
| 82.5 % | ≈ 78′ | Curiosity | 54 % | 59 % | 45 % | 20 % |
| 87.5 % | ≈ 82′ | Curiosity | 54 % | 59 % | 44 % | 19 % |
| 92.5 % | ≈ 87′ | Curiosity | 56 % | 53 % | 40 % | 33 % |
| 97.5 % | ≈ 92′ | Sadness | 63 % | 45 % | 43 % | 52 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Self (archive footage)
Self (archive footage)
Self (archive footage)
Self (archive footage)
Self
Details
- Directed by
- Álvaro Longoria
- Written by
- Álvaro Longoria
- Type
- Movies
- Released
- 2015
- Runtime
- 94 min
- Country
- Spain, France
- Genres
- Documentary
- Ratings
- Feels mostly
- Curiosity
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.




