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Los héroes del mal

2015 · 98 min · Director: Zoe Berriatúa ★ IMDb 6.1 · 1,170 ratings

Show plot summary (may contain spoilers)

Three teenagers, brought together by bullying, indulge in petty theft, sex and drugs. They inevitably realize they can resort to violence to take revenge on everyone who has humiliated them: students, teachers and other outcasts. One of them escalates to killing, and desires to kill again. Anyone can become his next victim. The other two face the question: should they resort to violence to stop the killings?

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Emotional fingerprint

Los héroes del mal (2015) — Movie. Top emotional signals: Anxiety 30%, Tension 25%, Anger 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure

20%Anger
  1. Anger20%
  2. Fear15%

AI estimate · no viewer votes yet

How we measure

AI estimate

Share of emotional signal, not the percentage of people or a probability of enjoyment.

Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.

Why it feels this way

The strongest emotional signals are Anxiety, Tension, Anger. Genres: Thriller, Drama, Crime. AI estimate.

Is it worth watching?

Consider this title if you are looking for Anxiety, Tension and Anger. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 64/100.

How did it make you feel?

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Emotional journey

AI · from subtitles
  • Tension
  • Disturbing
  • Sadness

Not enough subtitle evidence

No dominant emotion

Dominant emotion: Empathy

Dominant emotion: Tension

Dominant emotion: Disturbing

Dominant emotion: Love

Dominant emotion: Sadness

Tension
Disturbing
Sadness
Emotional journey Emotional intensity over the film’s runtime, from quieter to stronger on a fixed 0–1 scale. Hatched intervals have insufficient subtitle evidence. The table provides the values.
Ending hidden

Dominant emotion

Intensity dips around 13 %, then rises around 48 %, then peaks around 93 %.Ending hidden

Emotional journey
%Approximate minuteDominant emotionOverall intensityTensionDisturbingSadness
2.5 %≈ 2′Empathy47 %37 %20 %20 %
7.5 %≈ 7′Empathy45 %35 %20 %18 %
12.5 %≈ 12′Empathy44 %35 %24 %15 %
17.5 %≈ 17′Tension46 %40 %29 %16 %
22.5 %≈ 22′Tension51 %46 %38 %16 %
27.5 %≈ 27′Disturbing64 %59 %57 %16 %
32.5 %≈ 32′Disturbing68 %61 %64 %20 %
37.5 %≈ 37′Disturbing56 %49 %46 %25 %
42.5 %≈ 42′Tension55 %49 %40 %26 %
47.5 %≈ 47′Tension68 %49 %41 %21 %
52.5 %≈ 51′Love80 %48 %43 %26 %
57.5 %≈ 56′Tension83 %63 %60 %45 %
62.5 %≈ 61′Disturbing80 %71 %75 %51 %
67.5 %≈ 66′Disturbing84 %74 %80 %50 %
72.5 %≈ 71′Disturbing88 %79 %81 %55 %
77.5 %≈ 76′Disturbing88 %83 %80 %53 %
82.5 %≈ 81′Tension88 %86 %80 %46 %
87.5 %≈ 86′Tension90 %90 %84 %51 %
92.5 %≈ 91′Tension93 %91 %83 %68 %
97.5 %≈ 96′Sadness92 %88 %73 %80 %
Riches to rags

Rags to riches: The emotional tone rises from negative to positive.

Riches to rags: The emotional tone falls from positive to negative.

Man in a hole: The tone falls, then recovers.

Icarus: The tone rises, then falls.

Cinderella: The tone rises, falls, then rises again.

Oedipus: The tone falls, rises, then falls again.

AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗

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Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.

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Cast

EP
Emilio Palacios

JC
Jorge Clemente

BM
Beatriz Medina

OB
Olivia Baglivi

Laura

NC
Nacho Coronado

Raúl

PS
Paula Soldevila

La Sargento

Details

Directed by
Zoe Berriatúa
Written by
Zoe Berriatúa
Type
Movies
Released
2015
Runtime
98 min
Country
Spain
Ratings
★ IMDb 6.1 · 1,170 ratings
Feels mostly
Anxiety
Data updated

Where to watch

Data: JustWatch · Wikidata

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Emotion overlap shows mood similarity, not a prediction of enjoyment.