Paris Can Wait
2016 · 92 min · Director: Eleanor Coppola
Show plot summary (may contain spoilers)
Anne is at a crossroads in her life. Long married to a successful, driven but inattentive movie producer, she unexpectedly finds herself taking a car trip from Cannes to Paris with a business associate of her husband. What should be a seven-hour drive turns into a carefree two-day adventure replete with diversions involving picturesque sights, fine food and wine, humor, wisdom and romance, reawakening Anne's senses and giving her a new lust for life.
Emotional fingerprint
Paris Can Wait (2016) — Movie. Top emotional signals: Awe 30%, Joy 25%, Love 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Awe30%
- Joy25%
- Love20%
- Curiosity15%
- Inspiration10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Joy, Love. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Joy and Love. Its IMDb rating of 5.8/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 60/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Joy
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Joy | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 28 % | 7 % | 8 % | 12 % |
| 7.5 % | ≈ 7′ | Humor | 30 % | 10 % | 16 % | 8 % |
| 12.5 % | ≈ 12′ | Humor | 38 % | 16 % | 29 % | 9 % |
| 17.5 % | ≈ 16′ | Joy | 41 % | 20 % | 34 % | 13 % |
| 22.5 % | ≈ 21′ | Humor | 39 % | 21 % | 30 % | 13 % |
| 27.5 % | ≈ 25′ | Humor | 39 % | 25 % | 28 % | 19 % |
| 32.5 % | ≈ 30′ | Sadness | 41 % | 25 % | 25 % | 28 % |
| 37.5 % | ≈ 35′ | Sadness | 43 % | 21 % | 24 % | 23 % |
| 42.5 % | ≈ 39′ | Humor | 40 % | 23 % | 28 % | 10 % |
| 47.5 % | ≈ 44′ | Joy | 39 % | 25 % | 32 % | 5 % |
| 52.5 % | ≈ 48′ | Joy | 41 % | 21 % | 36 % | 3 % |
| 57.5 % | ≈ 53′ | Humor | 41 % | 16 % | 36 % | 0 % |
| 62.5 % | ≈ 58′ | Joy | 39 % | 19 % | 31 % | 3 % |
| 67.5 % | ≈ 62′ | Love | 49 % | 26 % | 20 % | 26 % |
| 72.5 % | ≈ 67′ | Sadness | 63 % | 31 % | 18 % | 49 % |
| 77.5 % | ≈ 71′ | Joy | 56 % | 35 % | 33 % | 30 % |
| 82.5 % | ≈ 76′ | Joy | 54 % | 39 % | 38 % | 23 % |
| 87.5 % | ≈ 81′ | Sadness | 65 % | 46 % | 31 % | 38 % |
| 92.5 % | ≈ 85′ | Love | 64 % | 53 % | 35 % | 27 % |
| 97.5 % | ≈ 90′ | Joy | 53 % | 48 % | 40 % | 15 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Paris Can Wait. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Jacques Clement
Martine
Philippe
Musée Des Tissus Guard
Suzanne
Alexandra (voice)
Young Starlet [Cannes]
Young Starlet [Cannes]
Young Starlet [Cannes]
Young Starlet [Cannes]
Hotel Assistant Manager [Cannes]
Young Filmmaker [Cannes]
Photographer [Cannes]
Town Car Driver [Cannes]
Strawberry Vendor [Cannes]
Details
- Directed by
- Eleanor Coppola
- Written by
- Eleanor Coppola
- Type
- Movies
- Released
- 2016
- Runtime
- 92 min
- Country
- United States, United Kingdom, Japan
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Subscription
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
