Finding Your Feet
2017 · 111 min · Director: Richard Loncraine
Show plot summary (may contain spoilers)
Approaching their senior years, British sisters Sandra and Bif have been estranged for ten years because of their differences. Sandra, newly minted Lady Abbott in her lawyer husband Mike Abbott having been knighted, does whatever needed to present a perfect upper crust life and marriage, including maintaining a proper decorum. Older Bif is the carefree one, living for the moment, including not caring that her council estate apartment in inner city London is a pigsty, just as long as she can find whatever she needs. While Sandra has no place for someone like Bif in her life, Bif laments what Sandra has become when she married Mike, Sandra once having had a real zest for life. When Sandra learns first hand that Mike has been having an affair for five years with one of her closest friends Pamela and eventually asks for a divorce in wanting to marry Pamela, Sandra, feeling like her planned retirement life with Mike has been pulled out from under her, turns to Bif for emotional support in not being able to turn to any of her friends in the shame. While Bif does whatever she can to accommodate Sandra, Sandra feels like a fish out of water in Bif's environs, which includes the adult community dance class she attends and which is populated by who are her closest friends. Among those is Charlie Glover, who, like Sandra, is going through a relationship crossroads in his marriage as his institutionalized wife Lilly is slowly slipping away from him with her Alzheimer's. In finally opening up to the joys of the dance and making connections with Bif's friends including Charlie, Sandra will have to evaluate her life in its entirety including if she is ready to put her upper crust life behind her and embrace a new life with someone caring like Charlie. Bif going through her own challenges may provide a deeper perspective for Sandra in what she really wants.
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Emotional fingerprint
Finding Your Feet (2017) — Movie. Top emotional signals: Humor 30%, Empathy 25%, Joy 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Empathy, Joy. Genres: Comedy, Drama, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Empathy and Joy. Its IMDb rating of 6.8/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 69/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Humor
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Sadness
Dominant emotion: Humor
Dominant emotion: Empathy
Dominant emotion: Joy
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Humor |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Sadness | 60 % | 43 % | 50 % | 33 % |
| 7.5 % | ≈ 8′ | Humor | 57 % | 39 % | 45 % | 41 % |
| 12.5 % | ≈ 14′ | Sadness | 59 % | 35 % | 39 % | 46 % |
| 17.5 % | ≈ 19′ | Humor | 59 % | 28 % | 31 % | 49 % |
| 22.5 % | ≈ 25′ | Sadness | 61 % | 41 % | 45 % | 45 % |
| 27.5 % | ≈ 31′ | Sadness | 64 % | 55 % | 59 % | 40 % |
| 32.5 % | ≈ 36′ | Humor | 56 % | 45 % | 51 % | 38 % |
| 37.5 % | ≈ 42′ | Sadness | 54 % | 44 % | 49 % | 31 % |
| 42.5 % | ≈ 47′ | Sadness | 61 % | 44 % | 49 % | 35 % |
| 47.5 % | ≈ 53′ | Humor | 63 % | 28 % | 38 % | 47 % |
| 52.5 % | ≈ 58′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
| 57.5 % | ≈ 64′ | Empathy | 58 % | 25 % | 38 % | 42 % |
| 62.5 % | ≈ 69′ | Joy | 71 % | 31 % | 44 % | 43 % |
| 67.5 % | ≈ 75′ | Sadness | 74 % | 43 % | 51 % | 36 % |
| 72.5 % | ≈ 80′ | Joy | 58 % | 23 % | 34 % | 31 % |
| 77.5 % | ≈ 86′ | Hope | 57 % | 24 % | 34 % | 23 % |
| 82.5 % | ≈ 92′ | Sadness | 73 % | 56 % | 61 % | 15 % |
| 87.5 % | ≈ 97′ | Empathy | 74 % | 51 % | 61 % | 24 % |
| 92.5 % | ≈ 103′ | Hope | 72 % | 32 % | 47 % | 37 % |
| 97.5 % | ≈ 108′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Pamela Harper
Lilly Glover
Nicola
Gerald Braithwaite
Care Home Manager
Pru - Swimmer
Restaurant Manager
Luke
Cabbie
Barman
Tow Truck Driver
Details
- Directed by
- Richard Loncraine
- Written by
- Nick Moorcroft, Meg Leonard
- Type
- Movies
- Released
- 2017
- Runtime
- 111 min
- Country
- United Kingdom
- Ratings
- Feels mostly
- Humor
- Data updated
Where to watch
Rent
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