Fatherhood
2021 · 109 min · Director: Paul Weitz
Show plot summary (may contain spoilers)
A father brings up his baby girl as a single dad after the unexpected death of his wife who died a day after their daughter's birth.
Emotional fingerprint
Fatherhood (2021) — Movie. Top emotional signals: Empathy 35%, Joy 20%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy35%
- Joy20%
- Sadness20%
- Hope15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Joy, Sadness. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Joy and Sadness. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Love
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 53 % | 27 % | 17 % | 20 % |
| 7.5 % | ≈ 8′ | Tension | 70 % | 35 % | 18 % | 46 % |
| 12.5 % | ≈ 14′ | Sadness | 75 % | 41 % | 26 % | 64 % |
| 17.5 % | ≈ 19′ | Hope | 63 % | 38 % | 35 % | 50 % |
| 22.5 % | ≈ 25′ | Humor | 53 % | 30 % | 31 % | 31 % |
| 27.5 % | ≈ 30′ | Humor | 50 % | 26 % | 29 % | 21 % |
| 32.5 % | ≈ 35′ | Humor | 49 % | 24 % | 31 % | 15 % |
| 37.5 % | ≈ 41′ | Hope | 51 % | 30 % | 34 % | 24 % |
| 42.5 % | ≈ 46′ | Sadness | 57 % | 36 % | 31 % | 33 % |
| 47.5 % | ≈ 52′ | Humor | 55 % | 34 % | 29 % | 19 % |
| 52.5 % | ≈ 57′ | Love | 50 % | 35 % | 31 % | 10 % |
| 57.5 % | ≈ 63′ | Humor | 51 % | 39 % | 33 % | 14 % |
| 62.5 % | ≈ 68′ | Love | 57 % | 43 % | 29 % | 25 % |
| 67.5 % | ≈ 74′ | Tension | 63 % | 41 % | 23 % | 40 % |
| 72.5 % | ≈ 79′ | Sadness | 59 % | 39 % | 20 % | 46 % |
| 77.5 % | ≈ 84′ | Sadness | 56 % | 43 % | 28 % | 45 % |
| 82.5 % | ≈ 90′ | Hope | 59 % | 48 % | 45 % | 34 % |
| 87.5 % | ≈ 95′ | Hope | 64 % | 57 % | 56 % | 26 % |
| 92.5 % | ≈ 101′ | Love | 64 % | 63 % | 51 % | 23 % |
| 97.5 % | ≈ 106′ | Love | 57 % | 57 % | 42 % | 12 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Maddy
Anna
Ms. Burns
Rose
Brenda
Summer
Maya
Details
- Directed by
- Paul Weitz
- Written by
- Dana Stevens, Paul Weitz, Matt Logelin, Dana Stevens
- Type
- Movies
- Released
- 2021
- Runtime
- 109 min
- Country
- Canada, United States
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
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