Maleficent: Mistress of Evil
2019 · 119 min · Director: Joachim Rønning
Show plot summary (may contain spoilers)
Five peaceful years have passed since the demise of the duplicitous monarch, King Stefan, in Maleficent (2014), and now, an unforeseen but joyous event is about to unite the mortal kingdom of Ulstead and the fairy-realm of the enchanted Moors. However, once more, odious treason stands in the way of true young love, as malicious envy, unbounded ambition and ignoble thoughts creep in the hearts of men. Now, two neighboring worlds find themselves divided by fear and prejudice, and, sadly, the impending union paves the way for an all-out confrontation. Suddenly, the magnificent winged sprite, Maleficent, and the lovely Princess Aurora are caught in the middle. Does love always end well?
Emotional fingerprint
Maleficent: Mistress of Evil (2019) — Movie. Top emotional signals: Awe 25%, Love 20%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Awe, Love, Excitement. Genres: Drama, Adventure, Family. AI estimate.
Is it worth watching?
Consider this title if you are looking for Awe, Love and Excitement. Its IMDb rating of 6.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 65/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Love
- Relief
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Love
Dominant emotion: Joy
Dominant emotion: Sadness
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Love | Relief |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 64 % | 49 % | 23 % | 5 % |
| 7.5 % | ≈ 9′ | Love | 60 % | 31 % | 39 % | 13 % |
| 12.5 % | ≈ 15′ | Joy | 54 % | 26 % | 41 % | 17 % |
| 17.5 % | ≈ 21′ | Love | 52 % | 39 % | 30 % | 10 % |
| 22.5 % | ≈ 27′ | Tension | 61 % | 56 % | 19 % | 3 % |
| 27.5 % | ≈ 33′ | Tension | 73 % | 70 % | 14 % | 1 % |
| 32.5 % | ≈ 39′ | Tension | 73 % | 68 % | 13 % | 3 % |
| 37.5 % | ≈ 45′ | Tension | 65 % | 53 % | 14 % | 8 % |
| 42.5 % | ≈ 51′ | Sadness | 60 % | 41 % | 22 % | 8 % |
| 47.5 % | ≈ 57′ | Sadness | 65 % | 48 % | 23 % | 4 % |
| 52.5 % | ≈ 62′ | Tension | 70 % | 61 % | 14 % | 2 % |
| 57.5 % | ≈ 68′ | Tension | 67 % | 61 % | 10 % | 3 % |
| 62.5 % | ≈ 74′ | Tension | 73 % | 69 % | 8 % | 3 % |
| 67.5 % | ≈ 80′ | Tension | 86 % | 84 % | 9 % | 3 % |
| 72.5 % | ≈ 86′ | Tension | 91 % | 87 % | 25 % | 8 % |
| 77.5 % | ≈ 92′ | Sadness | 89 % | 80 % | 49 % | 28 % |
| 82.5 % | ≈ 98′ | Relief | 86 % | 58 % | 60 % | 58 % |
| 87.5 % | ≈ 104′ | Relief | 85 % | 25 % | 65 % | 71 % |
| 92.5 % | ≈ 110′ | Joy | 84 % | 6 % | 73 % | 65 % |
| 97.5 % | ≈ 116′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about Maleficent: Mistress of Evil. From the film’s own dialogue and FeelDB data, at your spoiler level.
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Shrike (Jungle)
Pinto / Button
Narrator (voice)
Young Peasant
Details
- Directed by
- Joachim Rønning
- Written by
- Linda Woolverton, Micah Fitzerman-Blue, Noah Harpster
- Type
- Movies
- Released
- 2019
- Runtime
- 119 min
- Country
- United Kingdom, Canada, United States, France
- Ratings
- Feels mostly
- Awe
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
