The Cakemaker
2017 · 113 min · Director: Ofir Raul Graizer
Show plot summary (may contain spoilers)
Thomas, a young and talented German baker, is having an affair with Oren, an Israeli married man who dies in a car crash. Thomas travels to Jerusalem seeking answers. Keeping his secret for himself, he starts working for Anat, his lover's widow, who owns a small café. Although not fully kosher and despised by the religious, his delicious cakes turn the place into a city attraction. Finding himself involved in Anat's life in a way far beyond his anticipation, Thomas will stretch his lie to a point of no return.
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Emotional fingerprint
The Cakemaker (2017) — Movie. Top emotional signals: Empathy 30%, Love 25%, Sadness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Love25%
- Sadness20%
- Anxiety15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Love, Sadness. Genres: Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Love and Sadness. Its IMDb rating of 7.3/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sadness
- Empathy
- Love
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sadness | Empathy | Love |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Hope | 30 % | 3 % | 15 % | 27 % |
| 7.5 % | ≈ 8′ | Love | 50 % | 24 % | 31 % | 34 % |
| 12.5 % | ≈ 14′ | Sadness | 58 % | 44 % | 44 % | 24 % |
| 17.5 % | ≈ 20′ | Hope | 42 % | 34 % | 36 % | 10 % |
| 22.5 % | ≈ 25′ | Empathy | 39 % | 23 % | 35 % | 9 % |
| 27.5 % | ≈ 31′ | Tension | 49 % | 19 % | 40 % | 11 % |
| 32.5 % | ≈ 37′ | Tension | 49 % | 15 % | 36 % | 15 % |
| 37.5 % | ≈ 42′ | Hope | 41 % | 16 % | 31 % | 23 % |
| 42.5 % | ≈ 48′ | Love | 43 % | 16 % | 32 % | 25 % |
| 47.5 % | ≈ 54′ | Tension | 51 % | 21 % | 39 % | 24 % |
| 52.5 % | ≈ 59′ | Sadness | 56 % | 39 % | 48 % | 30 % |
| 57.5 % | ≈ 65′ | Sadness | 56 % | 43 % | 49 % | 31 % |
| 62.5 % | ≈ 71′ | Hope | 55 % | 24 % | 39 % | 34 % |
| 67.5 % | ≈ 76′ | Love | 59 % | 20 % | 38 % | 50 % |
| 72.5 % | ≈ 82′ | Love | 63 % | 35 % | 46 % | 60 % |
| 77.5 % | ≈ 88′ | Love | 65 % | 48 % | 53 % | 50 % |
| 82.5 % | ≈ 93′ | Sadness | 75 % | 64 % | 64 % | 43 % |
| 87.5 % | ≈ 99′ | Sadness | 73 % | 69 % | 64 % | 43 % |
| 92.5 % | ≈ 105′ | Sadness | 56 % | 55 % | 47 % | 32 % |
| 97.5 % | ≈ 110′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Oedipus
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Thomas
Oren Nachmias
Hanna
Itai Nachmias
Sophia
Dana
Avram
Client
Soldier
Swimming instructor
Swimmer
Details
- Directed by
- Ofir Raul Graizer
- Written by
- Ofir Raul Graizer
- Type
- Movies
- Released
- 2017
- Runtime
- 113 min
- Country
- Israel, Germany
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





