Dumplin'
2018 · 110 min · Director: Anne Fletcher
Show plot summary (may contain spoilers)
Willowdean ('Dumplin'), the plus-size teenage daughter of a former beauty queen, signs up for her mom's Miss Teen Bluebonnet pageant as a protest that escalates when other contestants follow her footsteps, revolutionizing the pageant and their small Texas town.
Emotional fingerprint
Dumplin' (2018) — Movie. Top emotional signals: Inspiration 30%, Humor 25%, Happiness 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Inspiration30%
- Humor25%
- Happiness20%
- Empathy15%
- Hope10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Inspiration, Humor, Happiness. Genres: Comedy, Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Inspiration, Humor and Happiness. Its IMDb rating of 6.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 68/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Joy
- Hope
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Empathy
Dominant emotion: Sadness
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Joy | Hope | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 37 % | 32 % | 17 % | 25 % |
| 7.5 % | ≈ 8′ | Joy | 35 % | 31 % | 15 % | 19 % |
| 12.5 % | ≈ 14′ | Joy | 40 % | 29 % | 15 % | 23 % |
| 17.5 % | ≈ 19′ | Empathy | 49 % | 16 % | 15 % | 39 % |
| 22.5 % | ≈ 25′ | Sadness | 50 % | 14 % | 21 % | 41 % |
| 27.5 % | ≈ 30′ | Joy | 45 % | 25 % | 30 % | 34 % |
| 32.5 % | ≈ 36′ | Empathy | 45 % | 26 % | 27 % | 39 % |
| 37.5 % | ≈ 41′ | Empathy | 48 % | 20 % | 20 % | 44 % |
| 42.5 % | ≈ 47′ | Sadness | 51 % | 28 % | 24 % | 43 % |
| 47.5 % | ≈ 52′ | Joy | 55 % | 41 % | 31 % | 41 % |
| 52.5 % | ≈ 58′ | Joy | 53 % | 31 % | 29 % | 43 % |
| 57.5 % | ≈ 63′ | Empathy | 53 % | 19 % | 31 % | 46 % |
| 62.5 % | ≈ 69′ | Hope | 56 % | 29 % | 44 % | 48 % |
| 67.5 % | ≈ 74′ | Hope | 60 % | 35 % | 48 % | 54 % |
| 72.5 % | ≈ 80′ | Empathy | 64 % | 38 % | 45 % | 53 % |
| 77.5 % | ≈ 85′ | Joy | 65 % | 50 % | 43 % | 40 % |
| 82.5 % | ≈ 91′ | Joy | 65 % | 54 % | 41 % | 45 % |
| 87.5 % | ≈ 96′ | Empathy | 68 % | 54 % | 50 % | 55 % |
| 92.5 % | ≈ 102′ | Joy | 66 % | 56 % | 56 % | 43 % |
| 97.5 % | ≈ 107′ | Hope | 58 % | 50 % | 53 % | 25 % |
Rags to riches
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Millie
Callie
Candee Disch
Lucy
Delia Shepherd
Marcus
Patrick
Tim
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Details
- Directed by
- Anne Fletcher
- Written by
- Kristin Hahn, Julie Murphy
- Type
- Movies
- Released
- 2018
- Runtime
- 110 min
- Country
- United States
- Ratings
- Feels mostly
- Inspiration
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.
