Tiramisù
2016 · 91 min · Director: Fabio De Luigi
Show plot summary (may contain spoilers)
Antonio, a representative of medical supplies with no success, finds a brilliant way to present himself to the costumers and improve his sales: the special tiramisù (an italian dessert) made by his beautiful wife Aurora.
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Emotional fingerprint
Tiramisù (2016) — Movie. Top emotional signals: Humor 35%, Happiness 25%, Love 15%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Humor35%
- Happiness25%
- Love15%
- Excitement15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Humor, Happiness, Love. Genres: Comedy. AI estimate.
Is it worth watching?
Consider this title if you are looking for Humor, Happiness and Love. Its IMDb rating of 5.2/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 61/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Humor
- Joy
- Hope
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Joy
Dominant emotion: Sympathy
Dominant emotion: Hope
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Humor | Joy | Hope |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 2′ | Humor | 47 % | 45 % | 12 % | 7 % |
| 7.5 % | ≈ 7′ | Humor | 44 % | 40 % | 13 % | 16 % |
| 12.5 % | ≈ 11′ | Humor | 43 % | 38 % | 11 % | 25 % |
| 17.5 % | ≈ 16′ | Humor | 44 % | 40 % | 11 % | 24 % |
| 22.5 % | ≈ 20′ | Humor | 46 % | 45 % | 13 % | 16 % |
| 27.5 % | ≈ 25′ | Humor | 45 % | 45 % | 11 % | 15 % |
| 32.5 % | ≈ 30′ | Humor | 44 % | 43 % | 15 % | 18 % |
| 37.5 % | ≈ 34′ | Humor | 48 % | 44 % | 20 % | 15 % |
| 42.5 % | ≈ 39′ | Humor | 48 % | 43 % | 18 % | 13 % |
| 47.5 % | ≈ 43′ | Humor | 45 % | 38 % | 16 % | 14 % |
| 52.5 % | ≈ 48′ | Tension | 48 % | 34 % | 24 % | 21 % |
| 57.5 % | ≈ 52′ | Joy | 49 % | 34 % | 28 % | 26 % |
| 62.5 % | ≈ 57′ | Humor | 49 % | 36 % | 18 % | 20 % |
| 67.5 % | ≈ 61′ | Tension | 50 % | 35 % | 11 % | 15 % |
| 72.5 % | ≈ 66′ | Sympathy | 50 % | 34 % | 10 % | 11 % |
| 77.5 % | ≈ 71′ | Tension | 53 % | 34 % | 6 % | 6 % |
| 82.5 % | ≈ 75′ | Sympathy | 58 % | 31 % | 8 % | 10 % |
| 87.5 % | ≈ 80′ | Sympathy | 63 % | 30 % | 19 % | 30 % |
| 92.5 % | ≈ 84′ | Hope | 65 % | 33 % | 39 % | 49 % |
| 97.5 % | ≈ 89′ | Joy | 65 % | 38 % | 53 % | 48 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Franco
Marco
capo di Antonio alla Medicix
pediatra Galbiati
Dottore
Faccendiere
Mou
Altro Donna Anziana Sala Attesa
Vanessa
Dipendente Medicix
Fabiola
Pizzaiolo
Primo Informatore
Signor Song
Details
- Directed by
- Fabio De Luigi
- Written by
- Fabio De Luigi, Gennaro Nunziante
- Type
- Movies
- Released
- 2016
- Runtime
- 91 min
- Country
- Italy
- Genres
- Comedy
- Ratings
- Feels mostly
- Humor
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





