Mark Felt: The Man Who Brought Down the White House
2017 · 103 min · Director: Peter Landesman
Show plot summary (may contain spoilers)
1972. Following the death of fifty year FBI Director J. Edgar Hoover who the last three Presidents had considered firing, FBI outsider L. Patrick Gray is appointed Acting Director. Associate Director Mark Felt, a dedicated, loyal and meticulous employee of the Bureau for thirty years, and his wife Audrey, feel he being passed over for the job is a major snub, they who have sacrificed their own personal lives for the Bureau. Part of that sacrifice is not being able to devote time in locating the Felts' daughter, Joan Felt, who they have not heard from in a year, they only assuming that she going off their radar being on her own volition in her anti-establishment ideals. Felt not getting the job is arguably due to he being such an integral figure in the controversial Hoover tenure. One of the first cases for the Bureau in Gray's tenure is a break-in at and bugging of the Democratic National Committee offices, the case unofficially called Watergate for the complex in which the break-in occurred. Ordered by Gray by what what seems to be unofficial orders passed down from the White House, FBI staff are hamstrung in their investigation, Watergate which has seeming ties to the Committee for the Re-Election of the President and thus possibly the Republican administration in the White House. For the first time in his career, Felt decides to go rogue in an effort for the FBI to gain back its independence without interference by any other organization, including especially the White House. Those rogue actions are largely the treasonous offense of leaking FBI information into the Watergate investigation to the media, first to his friend, Time reporter Sandy Smith, then to Washington Post reporters Bob Woodward and Carl Bernstein, their source - Felt - known in the public mindset through the code name, Deep Throat. Through the process, Felt tries to protect himself from discovery and protect his FBI associates from innuendo each as possibly being Deep Throat, which becomes more and more difficult with the reelection of Richard Nixon, his administration which uses every tool in their legal and illegal toolbox, including through their patsy Gray, to discover the identity of Deep Throat.
Your viewing check-in
Emotional fingerprint
Mark Felt: The Man Who Brought Down the White House (2017) — Movie. Top emotional signals: Curiosity 30%, Anxiety 25%, Satisfaction 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Curiosity30%
- Anxiety25%
- Satisfaction20%
- Empathy15%
- Sadness10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Curiosity, Anxiety, Satisfaction. Genres: Drama, History, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Curiosity, Anxiety and Satisfaction. Its IMDb rating of 6.4/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 66/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Empathy
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Tension
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Empathy
Dominant emotion: Relief
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Empathy |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Tension | 35 % | 30 % | 28 % | 7 % |
| 7.5 % | ≈ 8′ | Curiosity | 37 % | 32 % | 34 % | 11 % |
| 12.5 % | ≈ 13′ | Sadness | 43 % | 36 % | 35 % | 23 % |
| 17.5 % | ≈ 18′ | Empathy | 48 % | 39 % | 36 % | 31 % |
| 22.5 % | ≈ 23′ | Curiosity | 53 % | 45 % | 46 % | 25 % |
| 27.5 % | ≈ 28′ | Tension | 55 % | 50 % | 51 % | 23 % |
| 32.5 % | ≈ 33′ | Curiosity | 56 % | 51 % | 50 % | 29 % |
| 37.5 % | ≈ 39′ | Tension | 59 % | 56 % | 51 % | 23 % |
| 42.5 % | ≈ 44′ | Tension | 63 % | 63 % | 53 % | 15 % |
| 47.5 % | ≈ 49′ | Tension | 66 % | 59 % | 44 % | 28 % |
| 52.5 % | ≈ 54′ | Sadness | 64 % | 48 % | 36 % | 45 % |
| 57.5 % | ≈ 59′ | Curiosity | 59 % | 46 % | 49 % | 36 % |
| 62.5 % | ≈ 64′ | Curiosity | 59 % | 53 % | 56 % | 24 % |
| 67.5 % | ≈ 70′ | Tension | 63 % | 60 % | 49 % | 28 % |
| 72.5 % | ≈ 75′ | Tension | 68 % | 68 % | 46 % | 28 % |
| 77.5 % | ≈ 80′ | Tension | 68 % | 66 % | 50 % | 28 % |
| 82.5 % | ≈ 85′ | Curiosity | 65 % | 54 % | 49 % | 39 % |
| 87.5 % | ≈ 90′ | Relief | 63 % | 43 % | 41 % | 45 % |
| 92.5 % | ≈ 95′ | Curiosity | 57 % | 42 % | 40 % | 35 % |
| 97.5 % | ≈ 100′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Man in a hole
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Afterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
John Mitchell
Details
- Directed by
- Peter Landesman
- Written by
- Peter Landesman, Mark Felt, John D. O'Connor
- Type
- Movies
- Released
- 2017
- Runtime
- 103 min
- Country
- United States
- Ratings
- Feels mostly
- Curiosity
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





