Wolf Girl and Black Prince
2016 · 116 min · Director: Ryûichi Hiroki
Show plot summary (may contain spoilers)
High school girl Erika desperately wants to have a boyfriend to experience love, romance and sex. Alas, she is single. She makes up a story about a pretend boyfriend to her friends who want to meet the boy. Erika snaps a photograph of a boy who attends the same school. She needs to be seen with him and asks him to please play along.
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Emotional fingerprint
Wolf Girl and Black Prince (2016) — Movie. Top emotional signals: Anxiety 30%, Love 25%, Humor 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Anxiety30%
- Love25%
- Humor20%
- Empathy15%
- Satisfaction10%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Anxiety, Love, Humor. Genres: Comedy, Drama, Romance. AI estimate.
Is it worth watching?
Consider this title if you are looking for Anxiety, Love and Humor. Its IMDb rating of 5.9/10 suggests a mixed audience reception; consider how well the emotional profile suits you. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Love
- Hope
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Tension
Dominant emotion: Hope
Dominant emotion: Love
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Love | Hope | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 10 % | 20 % | 10 % |
| 7.5 % | ≈ 9′ | Humor | 50 % | 10 % | 18 % | 10 % |
| 12.5 % | ≈ 15′ | Humor | 49 % | 11 % | 14 % | 9 % |
| 17.5 % | ≈ 20′ | Humor | 44 % | 15 % | 15 % | 10 % |
| 22.5 % | ≈ 26′ | Tension | 44 % | 19 % | 19 % | 15 % |
| 27.5 % | ≈ 32′ | Humor | 44 % | 24 % | 24 % | 18 % |
| 32.5 % | ≈ 38′ | Hope | 43 % | 34 % | 31 % | 18 % |
| 37.5 % | ≈ 44′ | Love | 44 % | 40 % | 34 % | 21 % |
| 42.5 % | ≈ 49′ | Love | 45 % | 35 % | 30 % | 26 % |
| 47.5 % | ≈ 55′ | Humor | 44 % | 26 % | 26 % | 21 % |
| 52.5 % | ≈ 61′ | Humor | 43 % | 26 % | 29 % | 15 % |
| 57.5 % | ≈ 67′ | Hope | 45 % | 35 % | 39 % | 18 % |
| 62.5 % | ≈ 73′ | Hope | 55 % | 36 % | 39 % | 33 % |
| 67.5 % | ≈ 78′ | Sadness | 66 % | 28 % | 24 % | 55 % |
| 72.5 % | ≈ 84′ | Sadness | 69 % | 25 % | 16 % | 64 % |
| 77.5 % | ≈ 90′ | Sadness | 66 % | 32 % | 26 % | 57 % |
| 82.5 % | ≈ 96′ | Hope | 64 % | 43 % | 45 % | 43 % |
| 87.5 % | ≈ 102′ | Hope | 66 % | 54 % | 56 % | 35 % |
| 92.5 % | ≈ 107′ | Love | 74 % | 66 % | 56 % | 33 % |
| 97.5 % | ≈ 113′ | Love | 78 % | 75 % | 55 % | 20 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Ayumi Sanda
Takeru Hibiya
Marin Tachibana
Namie Yuki
Mayu Nanase
Wataru Mita
Details
- Directed by
- Ryûichi Hiroki
- Written by
- Yukiko Manabe, Ayuko Hatta
- Type
- Movies
- Released
- 2016
- Runtime
- 116 min
- Country
- Japan
- Ratings
- Feels mostly
- Anxiety
- Data updated
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





