Anon
2018 · 100 min · Director: Andrew Niccol
Show plot summary (may contain spoilers)
ANON is set in a near-future world where there is no privacy, ignorance or anonymity. Our private memories are recorded and crime almost ceases to exist. In trying to solve a series of unsolved murders, SAL FRIELAND (Owen) stumbles onto a young woman (Seyfried) who appears to have subverted the system and disappeared. She has no identity, no history and no record. Sal realizes it may not be the end of crime but the beginning. Known only as THE GIRL, Sal must find her before he becomes the next victim.
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Emotional fingerprint
Anon (2018) — Movie. Top emotional signals: Confusion 30%, Anxiety 25%, Curiosity 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Confusion, Anxiety, Curiosity. Genres: Mystery, Crime, Sci-Fi. AI estimate.
Is it worth watching?
Consider this title if you are looking for Confusion, Anxiety and Curiosity. Its IMDb rating of 6.1/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 62/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Tension
- Curiosity
- Disturbing
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Curiosity
Dominant emotion: Sadness
Dominant emotion: Tension
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Tension | Curiosity | Disturbing |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Curiosity | 37 % | 27 % | 40 % | 13 % |
| 7.5 % | ≈ 8′ | Curiosity | 48 % | 39 % | 48 % | 26 % |
| 12.5 % | ≈ 13′ | Curiosity | 64 % | 56 % | 63 % | 43 % |
| 17.5 % | ≈ 18′ | Curiosity | 73 % | 64 % | 62 % | 49 % |
| 22.5 % | ≈ 23′ | Sadness | 79 % | 70 % | 53 % | 57 % |
| 27.5 % | ≈ 28′ | Tension | 75 % | 69 % | 54 % | 54 % |
| 32.5 % | ≈ 33′ | Curiosity | 63 % | 56 % | 59 % | 33 % |
| 37.5 % | ≈ 38′ | Curiosity | 63 % | 55 % | 63 % | 31 % |
| 42.5 % | ≈ 43′ | Tension | 68 % | 60 % | 64 % | 40 % |
| 47.5 % | ≈ 48′ | Curiosity | 63 % | 54 % | 60 % | 36 % |
| 52.5 % | ≈ 53′ | Curiosity | 55 % | 41 % | 56 % | 30 % |
| 57.5 % | ≈ 58′ | Curiosity | 59 % | 44 % | 54 % | 34 % |
| 62.5 % | ≈ 63′ | Tension | 74 % | 64 % | 48 % | 51 % |
| 67.5 % | ≈ 68′ | Sadness | 84 % | 75 % | 44 % | 65 % |
| 72.5 % | ≈ 73′ | Tension | 83 % | 75 % | 54 % | 61 % |
| 77.5 % | ≈ 78′ | Curiosity | 80 % | 75 % | 66 % | 53 % |
| 82.5 % | ≈ 83′ | Tension | 84 % | 79 % | 69 % | 57 % |
| 87.5 % | ≈ 88′ | Tension | 79 % | 68 % | 64 % | 55 % |
| 92.5 % | ≈ 93′ | Curiosity | 63 % | 42 % | 58 % | 37 % |
| 97.5 % | ≈ 98′ | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence | Not enough subtitle evidence |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
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Cast
Chen Sheng Lu
Wei Han Xu
Alysa Egorian
Chloe Benitez
Karl Niedermeir
Jason Carr
Theo Navas
Anna Pieters
Erik Pieters
Details
- Directed by
- Andrew Niccol
- Written by
- Andrew Niccol
- Type
- Movies
- Released
- 2018
- Runtime
- 100 min
- Country
- United Kingdom, Canada, United States, Germany
- Ratings
- Feels mostly
- Confusion
- Data updated
Where to watch
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





