I, Tonya
2017 · 120 min · Director: Craig Gillespie
Show plot summary (may contain spoilers)
From the proverbial wrong side of the tracks in Portland, Oregon, former competitive figure skater Tonya Harding was never fully accepted in the figure skating community for not inherently being the image of grace, breeding and privilege that the community wanted to portray, despite she being naturally gifted in the sport athletically. Despite ultimately garnering some success in figure skating being national champion, a world championship medalist, an Olympian, and being the first American woman to complete a Triple Axel in competition, she is arguably best known for her association to "the incident": the leg bashing on January 6, 1994 of her competitor, Nancy Kerrigan, who, unlike Tonya, was everything that the figure-skating community wanted in their representatives. Her association to that incident led to Tonya being banned from competitive figure skating for life. Tonya's story from the beginning of her figure-skating life at age four to the aftermath of the incident is presented. Besides Tonya herself, key people in her life give their perspective of their role in her life. Although they may agree on the broad issues at hand, such as that the incident did occur, they may vary widely in their recollection of the details. These people are: her waitress mother Lavona Golden, who despite having paid for her expensive figure-skating lessons, was abusive toward her physically and emotionally, never believing she being good enough in any aspect of the word, and who pulled her from school to focus solely on the figure skating; Diane Rawlinson, her first and longest serving coach, who, for good or bad, largely let Tonya be Tonya in the way she presented herself to the figure skating world; Jeff Gillooly, her first husband, the two who also had a turbulent relationship on a need to be loved perhaps without truly loving the other; Jeff's friend and Tonya's bodyguard Shawn Eckardt, a dim bulb who believed himself to be a bigger player in the big scheme of life than he actually was; and sports journalist Martin Maddox, a fictional character who provides general commentary of what the sports media as a collective wanted out of Tonya and the incident.
Your viewing check-in
Emotional fingerprint
I, Tonya (2017) — Movie. Top emotional signals: Empathy 30%, Anger 20%, Excitement 20%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
- Empathy30%
- Anger20%
- Excitement20%
- Sadness15%
- Humor15%
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Anger, Excitement. Genres: Comedy, Drama, Biography. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Anger and Excitement. Its IMDb rating of 7.5/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 71/100.
How did it make you feel?
Votes are saved to the fingerprint once you’re signed in.
Pick up to three · 0/3
Emotional journey
- Sympathy
- Tension
- Sadness
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Joy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Tension | Sadness |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Humor | 45 % | 33 % | 25 % | 23 % |
| 7.5 % | ≈ 9′ | Sympathy | 55 % | 48 % | 35 % | 38 % |
| 12.5 % | ≈ 15′ | Sympathy | 61 % | 55 % | 43 % | 45 % |
| 17.5 % | ≈ 21′ | Sympathy | 61 % | 54 % | 46 % | 43 % |
| 22.5 % | ≈ 27′ | Sympathy | 61 % | 43 % | 41 % | 29 % |
| 27.5 % | ≈ 33′ | Joy | 64 % | 30 % | 35 % | 16 % |
| 32.5 % | ≈ 39′ | Humor | 60 % | 34 % | 39 % | 24 % |
| 37.5 % | ≈ 45′ | Sympathy | 59 % | 45 % | 49 % | 36 % |
| 42.5 % | ≈ 51′ | Tension | 65 % | 49 % | 59 % | 38 % |
| 47.5 % | ≈ 57′ | Tension | 63 % | 36 % | 58 % | 26 % |
| 52.5 % | ≈ 63′ | Humor | 61 % | 29 % | 56 % | 20 % |
| 57.5 % | ≈ 69′ | Tension | 68 % | 35 % | 64 % | 24 % |
| 62.5 % | ≈ 75′ | Tension | 66 % | 30 % | 65 % | 20 % |
| 67.5 % | ≈ 81′ | Tension | 66 % | 30 % | 64 % | 26 % |
| 72.5 % | ≈ 87′ | Tension | 70 % | 46 % | 61 % | 45 % |
| 77.5 % | ≈ 93′ | Sympathy | 71 % | 56 % | 60 % | 49 % |
| 82.5 % | ≈ 99′ | Tension | 78 % | 63 % | 65 % | 53 % |
| 87.5 % | ≈ 105′ | Sadness | 76 % | 66 % | 53 % | 63 % |
| 92.5 % | ≈ 111′ | Sadness | 56 % | 46 % | 25 % | 46 % |
| 97.5 % | ≈ 117′ | Humor | 38 % | 20 % | 12 % | 19 % |
Cinderella
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
Kadri — your film companion
AIAsk anything about I, Tonya. From the film’s own dialogue and FeelDB data, at your spoiler level.
Kadri
Hi, I’m Kadri. Ask me anything about I, Tonya — I’ll stay inside your spoiler line.
Premise onlyAfterward Reveal viewer responses · may contain spoilers
Viewer responses about feelings after the title ended, separate from feelings while watching. No AI estimates.
0 responses so far
Feeling details appear after at least 3 viewers respond, to protect privacy.
Cast
Nancy Kerrigan
Tonya (3 ½ Yrs)
Skater Mom
Snooty Girl
Chris
Skating Judge
Shawn's Father
Policeman #1
Details
- Directed by
- Craig Gillespie
- Written by
- Steven Rogers
- Type
- Movies
- Released
- 2017
- Runtime
- 120 min
- Country
- United States, United Kingdom, Qatar
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
Feels similar
More like this →Emotion overlap shows mood similarity, not a prediction of enjoyment.





