The Florida Project
2017 · 112 min · Director: Sean Baker
Show plot summary (may contain spoilers)
Halley lives with her six year old daughter Moonee in a budget motel along one of the commercial strips catering to the Walt Disney World tourist clientele outside Orlando, Florida. Halley, who survives largely on welfare, has little respect for people, especially those who cross her, it an attitude that she has passed down to Moonee, who curses and gives the finger like her mother. Although the motel's policy is not to allow long term rentals, Bobby, the motel manager, has made arrangements for people like Halley to live there while not undermining the policy as he realizes that many such tenants have no place to go otherwise. Halley, Moonee and Moonee's friends, who live in the motel or others like it along the strip and who she often drags into her disruptive pranks, are often the bane of Bobby's existence, but while dealing with whatever problem arises, Bobby has a soft spot especially for the children and thus, by association, their parents, as he knows that Moonee and others like her are just children acting like a children under whatever guidance they have, Moonee who has less guidance than most. Although there are some lines which he will not tolerate to be crossed, Bobby lets most of the disruptive things that they do go, largely as long as it does not affect the bread and butter of the motel, namely the tourist trade. The summer in this collective is presented, when Moonee and her friends, such as Scooty, are out of school and are left largely to their own devices while self-absorbed Halley does whatever she wants, often just staying in the room watching TV. Halley is supposed to look after Scooty, the son of Halley's friend Ashley, they who live in the unit immediately underneath Halley and Moonee's, while Ashley is at work at a local diner. In turn, Ashley pilfers cooked meals from the diner to feed Halley, Moonee and Scooty. Over the course of the summer, Halley systematically begins to alienate one by one the people who are her unofficial support by responding with that disrespect to anything she feels is against her. As such, Halley begins to take more and more extreme measures to maintain the life she leads with Moonee.
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Emotional fingerprint
The Florida Project (2017) — Movie. Top emotional signals: Empathy 30%, Sadness 25%, Humor 18%. Source: AI estimate. Shares describe emotional signal, not percentages of people. Your experience may differ. How we measure
AI estimate · no viewer votes yet
How we measure
AI estimate
Share of emotional signal, not the percentage of people or a probability of enjoyment.
Each viewer contributes one response, split equally across their selected emotions. When available, an automated estimate supplies a prior that is blended with those responses. Counts include distinct viewers, not automated estimates or archived anonymous votes. Fewer than 3 viewers is an early estimate; more responses do not guarantee certainty.
Why it feels this way
The strongest emotional signals are Empathy, Sadness, Humor. Genres: Drama. AI estimate.
Is it worth watching?
Consider this title if you are looking for Empathy, Sadness and Humor. Its IMDb rating of 7.6/10 suggests a generally positive audience reception. For these leading emotions, its Feel Score is 73/100.
How did it make you feel?
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Pick up to three · 0/3
Emotional journey
- Sympathy
- Sadness
- Tension
Not enough subtitle evidence
No dominant emotion
Dominant emotion: Joy
Dominant emotion: Humor
Dominant emotion: Sympathy
Dominant emotion: Tension
Dominant emotion: Sadness
Dominant emotion
| % | Approximate minute | Dominant emotion | Overall intensity | Sympathy | Sadness | Tension |
|---|---|---|---|---|---|---|
| 2.5 % | ≈ 3′ | Joy | 43 % | 8 % | 2 % | 22 % |
| 7.5 % | ≈ 8′ | Humor | 41 % | 14 % | 5 % | 21 % |
| 12.5 % | ≈ 14′ | Humor | 39 % | 19 % | 9 % | 21 % |
| 17.5 % | ≈ 20′ | Humor | 36 % | 23 % | 13 % | 25 % |
| 22.5 % | ≈ 25′ | Sympathy | 37 % | 24 % | 14 % | 29 % |
| 27.5 % | ≈ 31′ | Humor | 40 % | 23 % | 13 % | 29 % |
| 32.5 % | ≈ 36′ | Joy | 43 % | 25 % | 13 % | 31 % |
| 37.5 % | ≈ 42′ | Tension | 51 % | 24 % | 9 % | 44 % |
| 42.5 % | ≈ 48′ | Tension | 54 % | 19 % | 8 % | 49 % |
| 47.5 % | ≈ 53′ | Tension | 45 % | 23 % | 15 % | 39 % |
| 52.5 % | ≈ 59′ | Sympathy | 41 % | 32 % | 24 % | 34 % |
| 57.5 % | ≈ 64′ | Sympathy | 46 % | 34 % | 23 % | 31 % |
| 62.5 % | ≈ 70′ | Joy | 48 % | 28 % | 14 % | 24 % |
| 67.5 % | ≈ 76′ | Sympathy | 48 % | 28 % | 13 % | 31 % |
| 72.5 % | ≈ 81′ | Tension | 54 % | 31 % | 19 % | 48 % |
| 77.5 % | ≈ 87′ | Tension | 55 % | 38 % | 28 % | 50 % |
| 82.5 % | ≈ 92′ | Sympathy | 56 % | 46 % | 34 % | 51 % |
| 87.5 % | ≈ 98′ | Tension | 69 % | 59 % | 46 % | 63 % |
| 92.5 % | ≈ 104′ | Sympathy | 84 % | 75 % | 70 % | 68 % |
| 97.5 % | ≈ 109′ | Sadness | 90 % | 82 % | 83 % | 60 % |
Riches to rags
Rags to riches: The emotional tone rises from negative to positive.
Riches to rags: The emotional tone falls from positive to negative.
Man in a hole: The tone falls, then recovers.
Icarus: The tone rises, then falls.
Cinderella: The tone rises, falls, then rises again.
Oedipus: The tone falls, rises, then falls again.
AI reading of the film’s English subtitles (dialogue and sound cues) — not viewer votes. How we measure ↗
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Cast
Scooty
Jancey
Ashley
Grandma Stacy
Dicky
Dicky's Dad
Cabbie
Amber
Luci
Bertha
Case Worker
Twistee Treat Girl
Twistee Treat Girl's Mom
Gloria
Newlywed Groom
Newlywed Bride
Details
- Directed by
- Sean Baker
- Written by
- Sean Baker, Chris Bergoch
- Type
- Movies
- Released
- 2017
- Runtime
- 112 min
- Country
- United States
- Genres
- Drama
- Ratings
- Feels mostly
- Empathy
- Data updated
Where to watch
Rent
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